A cozy novel of friendship and healing set in an inviting third space.
Three women advise each other on love, spirits, and pets in Corazza’s debut novel.
Every town should have a place like the Geode Cafe and Bookshop, where the citizens of Umbra River, California, can gather to chat, read, and sip espresso drinks. Geode—its name a nod to the town’s Goldrush past—is owned by retired schoolteacher and empty-nester Olivia, a cheerful woman plagued by occasional migraines. She loves that her two best friends are close by; Anna is an animal psychic and the owner of Besties, the pet supply store and animal shelter next door to the cafe, and Emmaline is an aspiring writer who uses the store’s storage closet as an office. Since her husband was killed by a drunk driver, the young Emmaline has been on her own with her 4-year-old son, Charlie—who, like Anna, displays some psychic gifts. The three friends meet for weekly dinner and gossip, where they get into the secrets—good and bad—of their private lives, as well as those of Umbra River’s history. When Charlie starts having visions of a ghostly boy on a horse, it leads the women into an investigation of the town’s darkest chapter. Corazza’s prose casts a comforting spell on the reader, in part because so much of it is dedicated to praising the atmosphere of Olivia’s shop: “Geode’s old plank floors gave Emmaline the feeling of being pulled into Geode’s warm, calmly lit space, and if the appearance didn’t do it, the aroma of dough baking and fresh coffee did.” The plot, such as it is, moves at a snail’s pace as the town and its characters are introduced from various perspectives, with much information repeated and many cute businesses described in great detail. Despite some exceptions—cafe manager Lucy is a stock Irishwoman out of a bad 1950s comedy—the characters are well rendered, and the reader is mostly content to listen in on their conversations as they navigate the sometimes strange but more often mundane twists in their personal lives.
A cozy novel of friendship and healing set in an inviting third space.Pub Date: yesterday
ISBN: 9781685135911
Page Count: 224
Publisher: Black Rose Writing
Review Posted Online: March 18, 2025
Review Program: Kirkus Indie
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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