A grand puzzle, and grandly written at that, about shattered psyches and illicit dreams.
A companion to McCarthy’s The Passenger that both supplements and subverts it.
Alice Western—now known as Alicia, her birth certificate changed via her brother’s counterfeiter pal, John Sheddan—is a brilliant mathematician, at work on a doctorate even as a teenager. Her mind has melted, though. In this series of dialogues with a psychiatrist, she reveals herself to be thoroughly self-aware: “Mental illness is an illness. What else to call it? But it’s an illness associated with an organ that might as well belong to Martians for all our understanding of it.” Still, the seemingly very real friend she calls the Thalidomide Kid turns out to be one of many hallucinations that show up to keep Alicia company—an interesting turn, since it seems the Kid also visited her brother, Bobby, in the predecessor novel. Is Bobby’s life also a hallucination, a dream? Perhaps, for Alicia suggests that Bobby may still be lying in a coma following an auto-racing accident in Italy. For Alicia, just 20 years old, mathematics is both a defense and a curse, something she’s given up—not easily, for, as she tells Dr. Cohen, “I think maybe it’s harder to lose just one thing than to lose everything.” One thing that does seem to be uncomfortably real is her incestuous relationship with Bobby, which she reveals to Dr. Cohen in small, enigmatic bits seeded with defiant assertions that her conscience is untroubled: “I knew that I would love him forever. In spite of the laws of Heaven.” Some of her defenses melt a little toward the end, when, having revealed some of the cracks in her psyche, she asks Dr. Cohen to hold her hand—because, McCarthy writes in a characteristically gnomic phrase, “that’s what people do when they’re waiting for the end of something.”
A grand puzzle, and grandly written at that, about shattered psyches and illicit dreams.Pub Date: Dec. 6, 2022
ISBN: 978-0-307-26900-3
Page Count: 208
Publisher: Knopf
Review Posted Online: Aug. 1, 2022
Kirkus Reviews Issue: Aug. 15, 2022
PERSPECTIVES
SEEN & HEARD
IN THE NEWS
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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