West is the professor of religion and director of Afro- American studies at Princeton whose short essay collection, Race Matters (p. 216), became a bestseller earlier this year. The essays in this longer collection mostly predate those in Race Matters (seven are from the early to mid-80's) and were written for a more academic audience. There's more philosophy than race in this odd assortment, which begins with a consideration of Matthew Arnold's seminal role in defining our secular culture, moves on to assess various philosophers (the American Josiah Royce, the Hungarian Gyîrgy Luk†cs), and ends with a dull overview of the ``African American Rebellion'' that began in the mid-1950's. West's own philosophical stance is clear: His generous humanist vision has been nourished by such various disciplines as Emersonian pragmatism (with its emphasis on ``the ethical significance of the future''), Marxism, and the prophetic Christian tradition that enjoins us ``to look at the world through the eyes of its victims.'' His message is clear, too: Although he feels that ``the quality of black intellectual exchange is at its worst since the Civil War'' and that the decline of American culture may be ``irreversible,'' he also sees the need to keep faith in the possibility of positive change. The challenge for intellectuals, black and white, is to move beyond ``contestation within the academy'' and to become ``critical organic catalysts'' in the wider community. Given this message, it's puzzling to find included here long essays on the American Marxist Fredric Jameson (whose works are ``confined to specialists...in the academy'') and the Critical Legal Studies movement (``an isolated...affair within the ivy halls of elite law schools''). West's voice is an important one, but this collection doesn't amplify it in a helpful way.
Pub Date: Oct. 28, 1993
ISBN: 0-415-90486-2
Page Count: 308
Publisher: Routledge
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 15, 1993
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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