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SORREL AND THE SLEEPOVER

The affirming message offers an important lesson about the joys of heterogeneity, so young listeners will likely enjoy...

A little girl squirrel tries to hide the ways that she and her best friend are different.

Sorrel and Sage are simpatico school friends who love being alike. The trouble starts when Sage invites Sorrel to a sleepover. Sage’s home tree, a lush evergreen, is larger and houses lots more relatives than Sorrel’s. Ashamed and worried, Sorrel makes a series of creative excuses to avoid inviting Sage to her house. When their play takes them near Sorrel’s tree one day, however, Sage finds the old “broken and bumpy” cherry tree where Sorrel lives with her mother completely charming. Delightful ink-and-watercolor paintings create a cozy, decidedly British, and mostly old-fashioned world. The rabbit schoolteacher rings a hand bell, female characters are shown in skirts, and Sorrel and Sage carry satchels, but one picture shows a smartphone plugged in to charge. The airy, pastoral feel and engaging anthropomorphic characters keep the tone light and prevent the purposive plot from feeling preachy. The relatively lengthy text doesn’t quite measure up to the quality of the artwork; occasional rhymes seem out of place, and a lot of alliteration can make it somewhat awkward to read aloud.

The affirming message offers an important lesson about the joys of heterogeneity, so young listeners will likely enjoy making the acquaintance of Sorrel and Sage and pondering with them what makes a perfect friendship. (Picture book. 4-7)

Pub Date: Aug. 1, 2018

ISBN: 978-1-4380-5056-0

Page Count: 32

Publisher: Barron's

Review Posted Online: June 10, 2018

Kirkus Reviews Issue: July 1, 2018

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DON'T LET THE PIGEON DRIVE THE SLEIGH!

A stocking stuffer par excellence, just right for dishing up with milk and cookies.

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Pigeon finds something better to drive than some old bus.

This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”

A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)

Pub Date: Sept. 5, 2023

ISBN: 9781454952770

Page Count: 40

Publisher: Union Square Kids

Review Posted Online: Sept. 12, 2023

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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