A small-l libertarian battle cry for a technology that’s truly liberating, just as its pioneers intended.
A meaty manifesto for, among other things, returning the internet to the public domain.
“This is a book for people who want to destroy Big Tech,” writes free-speech advocate and science-fiction writer Doctorow. “It’s not a book for people who want to tame Big Tech. There’s no fixing Big Tech.” Do you hate Facebook? Most people do, notes the author, but we’re on the platform by way of the process of “network effects”—i.e., we are there because our friends are there, and our friends are there because we’re there—and no one wants to be the first to jump off. Still, Doctorow adds, there are ways to fight today’s tech giants. One example comes from Apple, which for years endured a Microsoft Word that was so flawed outside the Windows platform that it lost computer sales to Microsoft by virtue of those same network effects: People who relied on a reliable version of Word for their livelihoods stuck to PCs even if they hated them. The solution: Steve Jobs tasked a group of programmers with reverse-engineering Microsoft Office—figuring out how the program worked from the ground up—and then doing Office one better by creating the software suite originally called iWork, which could open Word documents. The result was that “Microsoft gave up” and turned Office into an open format. Doctorow revisits other stories that were less successful—Napster, for example, which revived long-out-of-print music but was crushed by a litigious recording industry, a success story that should have been but came up against the forces of monopoly and the legal system that makes it possible. Doctorow calls for more reverse-engineering, more “adversarial interoperability,” and more decentralized social media platforms such as Mastodon that, incidentally, are less likely to harbor trolls and Nazis.
A small-l libertarian battle cry for a technology that’s truly liberating, just as its pioneers intended.Pub Date: Sept. 5, 2023
ISBN: 9781804291245
Page Count: 192
Publisher: Verso
Review Posted Online: June 15, 2023
Kirkus Reviews Issue: July 15, 2023
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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