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WHEN HAPPILY EVER AFTER FAILS

A strong debut romance for fans of true happy endings.

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In Deane’s debut novel, a woman finds love, laughter, and purpose in a new teaching job.

When Abigail Gardner goes for an interview at the exclusive Philadelphia prep school Excelsior Primm, she is seeking a second chance to become an art teacher. An embarrassing incident prompted her to leave her previous school, and she is grateful for any opportunity—even if it unexpectedly lands her in a classroom of sixth graders, teaching literature. Desperate for a new start, and with the weight of her father’s reputation as a literature professor and her grief over his death upon her shoulders, Abigail rolls with it, soon becoming entangled in revamping the drama club, which has her students performing an alternative version of Romeo and Juliet. Deane has crafted a quintessential 20-something character searching for her place in the world, occasionally falling back on cliches such as “Abigail wondered how she got here, where she was going, and what she would think one day when she looked back.” Still, Abigail is rendered so endearingly—Deane conveys her thoughts and feelings with great dimension—that readers will happily forgive the occasional shopworn turn of phrase. Her habit of acting as different characters when socializing with her friends is particularly amusing. On a social outing, Abigail runs into Nate, a handsome stranger who turns out to be a fellow teacher at her school. Their romance is slow-burning, in direct contrast to her friendship with Quinn, who is in love with Abigail and whose family treats her as one of their own. Deane takes a well-worn trope in women’s fiction and puts a fun spin on it, weaving in subplots involving Abigail’s students, friendships, and co-workers. The end result is an expansive tale that will have readers rooting for happily-ever-afters for a number of characters in addition to the hero.

A strong debut romance for fans of true happy endings.

Pub Date: April 9, 2024

ISBN: 978-1684632404

Page Count: 304

Publisher: SparkPress

Review Posted Online: Feb. 5, 2024

Kirkus Reviews Issue: April 15, 2024

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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BEACH READ

A heartfelt look at taking second chances, in life and in love.

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Two struggling authors spend the summer writing and falling in love in a quaint beach town.

January Andrews has just arrived in the small town of North Bear Shores with some serious baggage. Her father has been dead for a year, but she still hasn’t come to terms with what she found out at his funeral—he had been cheating on her mother for years. January plans to spend the summer cleaning out and selling the house her father and “That Woman” lived in together. But she’s also a down-on-her-luck author facing writer’s block, and she no longer believes in the happily-ever-after she’s made the benchmark of her work. Her steadily dwindling bank account, though, is a daily reminder that she must sell her next book, and fast. Serendipitously, she discovers that her new next-door neighbor is Augustus Everett, the darling of the literary fiction set and her former college rival/crush. Gus also happens to be struggling with his next book (and some serious trauma that unfolds throughout the novel). Though the two get off to a rocky start, they soon make a bet: Gus will try to write a romance novel, and January will attempt “bleak literary fiction.” They spend the summer teaching each other the art of their own genres—January takes Gus on a romantic outing to the local carnival; Gus takes January to the burned-down remains of a former cult—and they both process their own grief, loss, and trauma through this experiment. There are more than enough steamy scenes to sustain the slow-burn romance, and smart commentary on the placement and purpose of “women’s fiction” joins with crucial conversations about mental health to add multiple intriguing layers to the plot.

A heartfelt look at taking second chances, in life and in love.

Pub Date: May 19, 2020

ISBN: 978-1-9848-0673-4

Page Count: 384

Publisher: Jove/Penguin

Review Posted Online: March 1, 2020

Kirkus Reviews Issue: March 15, 2020

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