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DRAGONS RULE, PRINCESSES DROOL!

Fun and energy staled by tired tropes.

Foolish prejudice and Little Rascals–type antics come to an inevitable conclusion in Pippin-Mathur’s fantasy realm of dragons and princesses.

A dragon is fierce. He lives in a land that is full of rocks and dark with the smoke of frighteningly fiery breath—in a word, wonderful. That is until two princesses—one pale-skinned, the other brown-skinned, and both festooned in tutus and ruffles—invade and begin to change everything. Craggy rocks are covered in flowers, flaming burps are replaced with finery and tea parties, and his fellow dragons are taken by the cuteness and pastels. Desperate to oust the interlopers, the dragon turns to his longtime enemy, a pale-skinned knight, to rid his kingdom of the princesses. But when the knight uses the opportunity to ensnare all the other dragons at once, it is the princesses who come to the rescue, terrifying the knight with an incendiary burp. Seeing the princesses in a new light, the dragon finally embraces their presence and the changes they’ve brought. Awash in pastels, the illustrations offer bright, dynamic spreads that smoothly employ varying perspectives and pace the momentum of the page turns. With its unimaginative gender opposition, however, the narrative unfortunately fails to match the illustrations’ draw for readers—especially for those who already don’t find ferocity and flowers to be mutually exclusive.

Fun and energy staled by tired tropes. (Picture book. 3-7)

Pub Date: May 2, 2017

ISBN: 978-1-4814-6138-2

Page Count: 40

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Feb. 19, 2017

Kirkus Reviews Issue: March 1, 2017

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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