On the bright side, maybe things will get better for Chloe and her readers in the next installment.
Determined to find new best friends in her new school, fifth-grader Chloe Silver makes mistakes, but her essential kindness helps her out.
Torn between the overtures of popular, pale-skinned mean-girl Monroe Reeser and the company of oddball science-table mates Lucy Tanaka and Theo Barnes, Chloe struggles to find a balance. She'd love to join a club, and Monroe offers the "It Girls," while Lucy and Theo propose "The Kindness Club," named for their science project to raise serotonin levels by doing acts of kindness. (Their special focus is Lucy's cranky neighbor, Mrs. Gallagher). Chloe also faces changes in her family. Now she sees her father only on Wednesday nights and alternating weekends, and she has to share that time with his new girlfriend and her accomplished daughter. Though naturally a positive thinker, Chloe is having a hard time. Readers may, too, as they watch her get sucked into a series of deceptions and absorb the lessons that seem to propel this well-meant series opener. As depicted on the cover, Lucy is Asian while Chloe and Theo are white. The first-person narrative is awkward in places, with unconvincing dialogue and incidents that don’t propel the story. Both Mrs. Gallagher and Chloe change their ways surprisingly suddenly.
On the bright side, maybe things will get better for Chloe and her readers in the next installment. (Fiction. 8-11)Pub Date: Nov. 1, 2016
ISBN: 978-1-68119-091-4
Page Count: 224
Publisher: Bloomsbury
Review Posted Online: Aug. 16, 2016
Kirkus Reviews Issue: Sept. 1, 2016
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.
A 12-year-old copes with a brain tumor.
Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-62972-330-3
Page Count: 256
Publisher: Shadow Mountain
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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