A fast-paced, funny, and ultimately enchanting story of a little girl’s adventures in small-town America.
The further adventures of mischievous young Celia Canterberry.
This follow-up to Hoff’s delightful The Canterberry Tales (2021) returns readers to the long-ago world of Happy Valley and to the adventures of its foremost little citizen, 8-year-old Celia Canterberry, who was dropped off by her unknown parents at birth and raised by her long-suffering Nan. Celia’s uproarious misadventures have made her so infamous that she’s the subject of her own comic strip in the Happy Valley Journal; she’s a living cautionary tale for her babysitter, Old Lady Griggs; her teachers at the Happy Valley School for Reluctant Children; and all her fellow grade schoolers. As this new adventure opens, Celia is preparing for her first day of second grade when she gets dire news. Her hated first grade teacher, Miss Dobbs, has had a job switch: She’s now going to be teaching second grade. And this time around, there are far more serious matters brewing, like the fact that Nan has auctioned off her house to Griggs, who’s now charging her rent to live in her own home. And Doc Marley is threatened by a new competitor, Dr. Whitford (his motto: “I’ll Only Touch You When I Have To.”). Anda complicated relationship seems to be developing between Miss Dobbs and Oswald Elliot, the publisher of the Happy Valley Journal. Watching and commenting wryly on all of this is Celia, brought wonderfully to life with a pitch-perfect blend of childlike innocence and Mark Twain–style fabulist humor. Hoff very intentionally crafts the events of her narrative in the soft glow of nostalgia, not only for the sweet simplicity of childhood, but also for the comparative innocence of small-town life half a century ago. She writes Celia in a deft register right between those two sentiments: sharp as an adult but with the hilarious viewpoints and priorities of a child.
A fast-paced, funny, and ultimately enchanting story of a little girl’s adventures in small-town America.Pub Date: June 1, 2022
ISBN: 978-0-9812215-7-1
Page Count: 234
Publisher: Black Crow Books
Review Posted Online: March 3, 2022
Kirkus Reviews Issue: May 1, 2022
Review Program: Kirkus Indie
Fast-moving excitement with a satisfying finish.
The feds must protect an accused criminal and an orphaned girl.
Maybe you’ve met him before as protagonist of The 6:20 Man (2022): Ex-Army Ranger Travis Devine, who’d had the dubious fortune to tangle with “the girl on the train,” is now assigned by his homeland security boss to protect Danny Glass, who's awaiting trial on multiple RICO charges in Washington state. Devine has what it takes: He “was a closer, snooper, fixer, investigator,” and, when necessary, a killer. These skills are on full display as the deaths of three key witnesses grind justice to a temporary halt. Glass has a 12-year-old niece, Betsy Odom, and each is the other’s only living relative—her parents recently died of an apparent drug overdose. The FBI has temporary guardianship of Betsy, who's a handful. She tells Travis that though she’s not yet 13, she's 28 in “life-shit years.” The financially well-heeled Glass wants to be her legal guardian with an eye to eventual adoption, but what are his real motives? And what happens to her if he's convicted? Meanwhile, Betsy insists that her parents never touched drugs, and she begs Travis to find out how they really died. This becomes part of a mission that oozes danger. The small town of Ricketts has a woman mayor who’s full of charm on the surface, but deeply corrupt and deadly when crossed. She may be linked to a subversive group called "12/24/65," as in 1865, when the Ku Klux Klan beast was born. Blood flows, bombs explode, and people perish, both good guys and not-so-good guys. Readers might ponder why in fiction as well as in life, it sometimes seems necessary for many to die so one may live. And what about the girl on the train? She's not necessary to the plot, but she's a fun addition as she pops in and out of the pages, occasionally leaving notes for Travis. Maybe she still wants him dead.
Fast-moving excitement with a satisfying finish.Pub Date: Nov. 12, 2024
ISBN: 9781538757901
Page Count: 432
Publisher: Grand Central Publishing
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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