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BRITFIELD & THE LOST CROWN

A flawed but exciting, fast-paced, and intriguing adventure.

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After escaping from an abusive British orphanage, two friends travel, face danger, and learn of a deep conspiracy in this debut middle-grade novel.

Although it’s the 21st century, the Weatherly orphanage in Yorkshire, England, run by Mr. and Mrs. Grievous, resembles an institution straight out of Dickens. The orphans are worked hard all day to make sellable items; they get little food, wear tattered clothing, and receive harsh punishments. Twelve-year-old Tom came to Weatherly six years ago, having lived in a string of orphanages since he was a child. He’s close friends with Sarah Wallace, also 12, who’s been orphaned for two years. It’s time to escape, Tom figures, especially when Mr. Grievous taunts him with the information that his parents are still alive. Tom and Sarah make a risky breakout, but on their trail is Detective Arthur Gowerstone, a legendary finder of runaway orphans. Tom and Sarah evade him by stealing a hot air balloon. In Oxford, they meet a friendly professor who guides them to Windsor Castle, where he believes the butler, a former student, will help. But Tom and Sarah soon run straight into a conspiracy carried out at the highest levels that involves the royal succession; nowhere in England is safe. In this series opener, Stewart offers nearly nonstop action, with escapades both perilous and amusing, and exhilarating hairsbreadth escapes. The conspiracy is bold and compelling while the plot folds in intriguing facts about British culture, history, and famous sites. Verisimilitude falters, though; for example, orphanages no longer exist in Britain. And if the orphans never go to school, how do they learn to read the books that are their only pleasure? Another bar to enjoyment is an overabundance of adverbs, which call too much attention to themselves (“whispered enthusiastically”; “replied nonchalantly”; “added earnestly”; “said graciously”; “added philosophically”). Another problem is some underlying sexism; Tom is usually the active partner while Sarah tends to fall down and need rescuing or comforting.

A flawed but exciting, fast-paced, and intriguing adventure.

Pub Date: Aug. 1, 2019

ISBN: 978-1-73296-120-3

Page Count: 394

Publisher: Devonfield Publishing LLC

Review Posted Online: Nov. 14, 2019

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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