An increasingly unfamiliar scene in the American landscape gains a heartfelt tribute, and has a worthy advocate in Brown (City Sounds, 1992, etc.). The farmer hooks his versatile tractor up to the many machines that assist him in the cultivation of his crop. With very few words the seed's progress is charted from fertilized soil to roadside stand. The illustrations expand the text by showing the other recipients of the farm's bounty, including the farmer's children and pets. In a deft touch, the whole enterprise is overseen by a family of robins, whose survival techniques mirror those of the farm family, emphasizing the human's place in the natural scheme of things. The text is easy enough for beginning readers; the only uncommon words are the names of the machines (manure spreader, harrow, cultivator, etc.), which are included in an illustrated glossary at the end. Every page reveals the author's experience and reverence for the enterprise in this loving view of life on a small farm. (Picture book. 3+)
Pub Date: Aug. 1, 1995
ISBN: 0-688-10499-1
Page Count: 24
Publisher: Greenwillow Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1995
The whimsy is slight—the story is not—and both its interest and its vocabulary are for the youngest members of this age...
Beverly Cleary has written all kinds of books (the most successful ones about the irrepressible Henry Huggins) but this is her first fantasy.
Actually it's plain clothes fantasy grounded in the everyday—except for the original conceit of a mouse who can talk and ride a motorcycle. A toy motorcycle, which belongs to Keith, a youngster, who comes to the hotel where Ralph lives with his family; Ralph and Keith become friends, Keith gives him a peanut butter sandwich, but finally Ralph loses the motorcycle—it goes out with the dirty linen. Both feel dreadfully; it was their favorite toy; but after Keith gets sick, and Ralph manages to find an aspirin for him in a nearby room, and the motorcycle is returned, it is left with Ralph....
The whimsy is slight—the story is not—and both its interest and its vocabulary are for the youngest members of this age group. (Fantasy. 8-12)Pub Date: Sept. 22, 1965
ISBN: 0380709244
Page Count: 180
Publisher: Morrow/HarperCollins
Review Posted Online: Oct. 16, 2011
Kirkus Reviews Issue: Sept. 1, 1965
BOOK TO SCREEN
While there are many rhyming truck books out there, this stands out for being a collection of poems.
Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.
Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.
While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)Pub Date: Aug. 27, 2013
ISBN: 978-0-7636-5078-0
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
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