by Craig Buchner ‧ RELEASE DATE: N/A
Transgressive, audacious tales steeped in gritty human struggles and otherworldly oddity.
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A volume of unconventional short stories features hardscrabble characters facing extraordinary circumstances.
North Carolina fiction writer and poet Buchner’s dazzling assortment of 18 tales offers a diverse cast struggling with some outlandish situations, both earthly and otherworldly. A man’s celebration of his wife’s pregnancy is cut short in the darkly humorous opener, “Made by Brutal Beasts.” Homer, a heavy-drinking child care company worker in therapy, becomes alarmed at his wife’s startling transformation into an excessively hirsute beast with prenatal “animalistic urges.” The theme carries forward with a different couple in the apocalyptic “Baby Teeth,” in which the pair’s “undead” newborn is anything but normal. Buchner experiments with form in “American Metal,” a sensory treat comprised solely of brutally vivid blog entries from a soldier deployed in the Middle East during wartime. The author also experiments with narrative brevity. Among the volume’s shortest tales is the marvelously morbid, two-page “Last Days at Wolfjaw,” which depicts a small family locked inside a cabin at the mercy of a plague of giant killer flies buzzing just outside the front door. Just spanning a single page is “About Future,” in which a man takes it upon himself to “put down” members of his own family who seemingly have outlived their usefulness to him. Conversely, the fantastically cinematic “Dracula Mountain” conjures a world dominated by vampires and the “nightwalkers” they create. A family tries to survive when a relative who’s “seventeen years old, but pale and skeletal” reappears. This story, along with several in the collection, disappoints only because it deserves a more fully realized treatment.
One of the assortment’s greatest assets is its sublime unpredictability. From junkies who donate plasma to the moving, tender father-son relationship in “Good Night,” the book crosses boundaries and traverses genres with seamless ease. Dominating these tales are themes of struggle and vulnerability, hardship and loss. Families buckle beneath the weight of grief, financial woes, or even supernatural forces, while others simply become prey to online entertainment, “drawn in like a wolf to raw meat.” Many characters are pensive and reflective only after the worst has occurred, while others recognize the fleeting nature of beautiful things as they “stayed awake past midnight and watched the fireworks from the balcony, content with all we didn’t know. A brocade crown filled the air with big hanging breaks of gold, slowly fading to right us. But beautiful things never last.” Buchner’s literary talents are on brilliant display. The prose he employs vacillates between raw descriptions of hungry teeth biting into greasy meat to lovely turns of phrase from brothers lamenting their father’s abandonment when they were young and how that affects their desire for children of their own. Nearly every tale has appeared in a variety of literary journals, and with good reason: They shimmer with the gloss of a creative imagination and enticing characterization. As the expectant father remarks in the opener, “Life was a horror movie, but only if you looked for it.” There is indeed mild, sunlit horror embedded in Buchner’s stories, but he also demonstrates a deep understanding of human nature and how it operates in times of desperation and when faced with the paranormal.
Transgressive, audacious tales steeped in gritty human struggles and otherworldly oddity.Pub Date: N/A
ISBN: 978-1-953610-31-7
Page Count: 195
Publisher: NFB Publishing
Review Posted Online: May 4, 2022
Kirkus Reviews Issue: July 1, 2022
Review Program: Kirkus Indie
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by Jason Rekulak ; illustrated by Will Staehle & Doogie Horner ‧ RELEASE DATE: May 10, 2022
It's almost enough to make a person believe in ghosts.
A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.
Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.
It's almost enough to make a person believe in ghosts.Pub Date: May 10, 2022
ISBN: 978-1-250-81934-5
Page Count: 384
Publisher: Flatiron Books
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
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by Tim O’Brien ‧ RELEASE DATE: March 28, 1990
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
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