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FISH COUGH

An often beautiful, sometimes measured tale of aging and love.

In this debut novel, a gay couple in Portland, Oregon, face difficulties in the aftermath of a meteor shower.

Thom’s marriage to Howard has hit a rough patch. The two freelance writers are both stressed out from the hustle, which may or may not be the cause of the recent cooling of their sex life—a cooling that even the introduction of a third can’t thaw. “I knew I was just pining for the early days of our relationship when Howard found everything about me exciting,” thinks Thom. “Five years into our relationship, was I thinking about ending things or just breaking some of the rules?” Complicating things further are Howard’s chronic hip pain and his desire to have a child, a prospect that Thom dreads. An approaching meteor storm is filling the couple—and everyone else in Portland—with apocalyptic thoughts, but the Leonids bring something much stranger than Thom could ever have imagined. He awakens the next morning to learn that the warehouse across from their apartment has caught fire. He then watches a squirrel crawl through his neighbor’s open window and destroy their Eames chair. Using a handful of peanuts, Thom lures the squirrel into his apartment. Luckily, Howard is an animal lover, and he agrees to let Thom keep Gordito, as the animal is soon named. Thom comes to believe that Gordito can talk—one of a number of strange phenomena he’s observed lately. Gordito brings Thom a tiny meteorite, the one that set the fire in the warehouse, to which Thom begins to attribute growing levels of meaning and power. As Howard’s hip worsens and shows signs of a more serious condition, Thom becomes convinced of his ability to solve everything. But will Thom’s mind—and marriage—fall apart faster than Howard’s body?

Buchner is a poet, and his lyricism comes through in his prose. At one point Thom narrates: “Under that careless sun, on the sidewalk, I watched cars pass. Straight-faced strangers driving through their own lives. Their own thoughts bouncing through their heads. Not one of them had my thoughts—not this moment.” The author delights in the uninterpretable. The title comes from an inscrutable message that Thom finds on the bottom of a Snapple cap in lieu of the normal bit of trivia. The end of the world for these characters is less dramatic than a meteor shower, but the signs are all around them, waiting to be dissected for meaning. There’s something poetic in the way the narrative accumulates: Thom’s story is littered with digressions about the past and ruminations about the future. For this reason, it takes a while for the plot to gain momentum, and even then, it often feels like a process of slow decay rather than one of rising action. Thom’s is not the most pleasant head to inhabit, and readers at times will grow frustrated by his myopic ennui. But those who stick with the story will find a subtle examination of life at the edge of a mundane catastrophe.

An often beautiful, sometimes measured tale of aging and love.

Pub Date: Feb. 14, 2023

ISBN: 9798985492743

Page Count: 222

Publisher: Buckman Publishing LLC

Review Posted Online: Dec. 12, 2022

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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I WHO HAVE NEVER KNOWN MEN

I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').

Pub Date: May 1, 1997

ISBN: 1-888363-43-6

Page Count: 224

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1997

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