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HOME FOR THE HOLIDAYS

A LITTLE BOOK ABOUT THE DIFFERENT HOLIDAYS THAT BRING US TOGETHER

From the Sesame Street Scribbles series

Points for offering a broad picture even if the presentation is nothing to write home about.

Sesame Street characters gather together to celebrate select turn-of-the-year holidays.

Rather than describe specific practices or origins in his clumsily constructed rhyme, Manning hammers on the titular theme and on general feelings of love and togetherness all the way to an inevitable “there’s no place like home.” He leaves it up to the “grown-ups” addressed in closing crib notes to identify the eight holidays highlighted in turn in Kwiat’s set of cartoon feasts and frolics. Throughout, secular customs and symbols get far more play than religious contexts, and the entry for the Lunar New Year (following a description of the calendrical one) retains the parochial header “Chinese New Year.” However, the gloss for “Thanksgiving” does acknowledge similar celebrations in other parts of the world, and the inclusion of Eid al-Fitr, Kwanzaa, and Diwali alongside Christmas and Hanukkah in the roster likewise signal a generally multicultural outlook. Cameos from stars like Pino (Big Bird’s blue Dutch cousin), Lily the Chinese tiger cat, and hijab-clad Zari expand the already-diverse Sesame Street cast. Younger audiences may be less drawn in by the topic than the challenge of naming all the puppets that put in appearances here (there’s no key), but the festive tone is at least appropriate for the season.

Points for offering a broad picture even if the presentation is nothing to write home about. (Informational picture book. 4-6)

Pub Date: Oct. 5, 2021

ISBN: 978-1-7282-4024-4

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Sept. 14, 2021

Kirkus Reviews Issue: Oct. 1, 2021

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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