An evocative ’70s campus yarn that ultimately fails to satisfy as drama or philosophical commentary.
A college professor falls in love with one of his students in Smith’s historical novel.
In the 1970s, Harrison Gregg teaches rhetorical theory at the University of Virginia and becomes a popular teacher among the student body. He strikes up a friendship with a promising freshman named Thomas; over time they grow closer and finally become best friends. When Thomas betrays Gregg and sleeps with his girlfriend, Diana, Gregg realizes he’s so stung because he’s actually fallen in love with Thomas. Later, after Gregg leaves Virginia after being denied tenure, he continues to pine for Thomas, though Thomas gives him little encouragement. Here, Gregg contemplates his disappointment in the earnest, melodramatic terms that typify Smith’s soap-operatic novel: “Maybe he only wants written communication. Maybe I scared him terribly that last night. Or maybe I had said all I needed to say to him. But that can’t be; human relationships must be inexhaustible, mustn’t they.” Thomas eventually marries Diana, though it is a fraught union, and Gregg becomes a political operative in Washington, D.C. The highlight of the book is its depiction of university life in the 1970s, full of excitement and radicalism but also hypocrisy, a professional cosmos with which Gregg finally grows disenchanted (“Each meeting of a faculty committee convinced him that these people were more and more concerned with their own survival and less and less concerned with improving their students”). However, the author’s prose vacillates between treacly sentimentality and arid intellectualizing; the unfortunate result is that the narrative never grips the reader either emotionally or intellectually, a predicament exacerbated by the plot’s desultory meandering. One can’t help but feel that Smith is presenting the reader with some kind of moral lesson—the story has a tincture of didacticism—but it’s never clear what that lesson is.
An evocative ’70s campus yarn that ultimately fails to satisfy as drama or philosophical commentary.Pub Date: May 25, 2023
ISBN: 9798396048447
Page Count: 221
Publisher: Amazon.com
Review Posted Online: Sept. 26, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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