A must-read. The gun’s not quite smoking, but the barrel’s plenty hot, and there are Russian shell casings all around.
Is Donald Trump a Russian asset? Yes, according to longtime president-watcher and journalist Unger, who builds on and extends the case he built in House of Trump, House of Putin.
It’s not news that well before becoming president, Trump revealed himself to be “a tyrant who had mesmerized tens of millions of people, and that it didn’t matter to them what he said or did”—or that he has long been suspected of owing a profound debt to Russia and that the place to look for it is in the tax returns he keeps hidden. Unger’s book is valuable primarily because he connects any number of loose ends, even if the result may sound like a conspiracy theory. Point 1: Trump owes Russia big, and while in office, he was ever eager to please. Point 2: Russia began to cultivate him long before the Soviet Union collapsed. Point 3: It all comes down to money. Point 4: There are connections among Opus Dei, the Trump administration, and the “world of decadence and depravity tied to figures like Jeffrey Epstein and Ghislaine Maxwell.” Unger links all of this to what CIA sources call the “Monster Plot,” which posits that Russia placed an asset or agent “at the very top” of the U.S. government to make it collapse. Trump was ideal. As one Russian handler noted, “in terms of his personality…the guy is not a complicated cookie, his most important characteristics being low intellect coupled with hyperinflated vanity. This combination makes him a dream for an experienced recruiter.” The believability of Unger’s case lies less in these points laid bare than in the fact that one can see them in abundant evidence in the actions of Trump and his allies, from leaving Syria to Russia to packing the Supreme Court and Justice Department with right-wing Catholics—nefarious work that will take years to undo even as Trump continues to attempt to bring about “the end of democracy.”
A must-read. The gun’s not quite smoking, but the barrel’s plenty hot, and there are Russian shell casings all around.Pub Date: Jan. 26, 2021
ISBN: 978-0-593-18253-6
Page Count: 352
Publisher: Dutton
Review Posted Online: Jan. 31, 2021
Kirkus Reviews Issue: March 1, 2021
IN THE NEWS
A slick, vacuous glimpse into the former first lady’s White House years.
A carefully curated personal portrait.
First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.
A slick, vacuous glimpse into the former first lady’s White House years.Pub Date: Oct. 8, 2024
ISBN: 9781510782693
Page Count: 256
Publisher: Skyhorse Publishing
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Dec. 1, 2024
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
