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CREATURES

A quietly captivating debut.

A first-time novelist explores the curses and blessings of a childhood shaped by unreliable parents and an unforgiving sea.

This spiky, elliptical novel, which takes place on a fictional island off the coast of Southern California, begins with a beached whale. The inescapable odor and massive, macabre presence of the corpse are just two of the challenges Evangeline faces as she prepares for her wedding. Her long-absent mother has arrived uninvited. And it’s possible that the groom, a fisherman, has died at sea. While the whale is, in any practical sense, the least of Evie's worries, it feels horribly emblematic of her circumstances—maybe even of her whole existence. As she tells her story, moving back and forth in time, it becomes clear that Evie has a history of finding fixations to distract her from the most difficult aspects of her life. Ultimately, though, the subject she would like most to escape is the one she studies the most closely: her father. Evie’s dad is a beguiling figure, someone who provides for himself and his daughter as a raconteur and a drug dealer. When Evie’s a kid, his exceptional charm is just as crucial to their survival as his ability to score cocaine or produce epic weed. Sometimes they are the guests of wealthy friends who like to party. Sometimes they live in cheap apartments. Sometimes they are homeless. This instability makes Evie somewhat immune to her father’s charisma. As she grows up, we see how this colorful but volatile upbringing leaves her with real emotional deficits. Van Meter does not allow her narrator to luxuriate in self-pity, though. Some of the most heartbreaking moments in this novel are the most simply told, and there are scenes of beauty and magic and dry humor amid the chaos. And Evie is self-aware enough to acknowledge her own complexities and shortcomings.

A quietly captivating debut.

Pub Date: Jan. 7, 2020

ISBN: 978-1-61620-859-2

Page Count: 256

Publisher: Algonquin

Review Posted Online: Sept. 29, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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