A stunning collection of memories, snippets, and specters.
A visitor to Berlin accumulates the haunting stories of its residents.
When a nameless traveler comes to contemporary Berlin, to learn about the city and about herself, she confronts first the challenge of language and then, once that is conquered, the challenge of understanding. As she meets more people, walks more streets, her diligent recording illustrates how an interloper can learn by listening, observing, asking. As one character astutely and elegantly notes, “When one no longer belongs to a tribe—or is a newcomer, a visitor, like you—everything reveals itself.” Along the visitor’s way she meets characters of all kind, their binding attribute the lasting effects of the desperation, trauma, and violence of World War II: a Jewish woman who hid for 37 days, buried in a sarcophagus in a church graveyard, surviving on poetry; a man who lived through the war as a “homosexual decoy, recruiting foreign informants”; a woman whose mother tried to kill her three times—once by “stuffing an oil-soaked rag down her throat,” once by abandoning her in a jungle, and once by slashing her with a blunt machete—who is now pregnant with her own child; a man who traveled to Alabama for the Nazi Party to research the preaching abilities of African-American pastors so their skills might be adapted for the Führer. García, author of Dreaming in Cuban (1992), which was a finalist for the National Book Award, and more recently King of Cuba (2013), is a skilled writer, crafting a complete story from the threads of many glimpses. In the assembly of these glimpses, she has created a vivid portrait of a decimated yet surging Berlin since World War II, of individuality and humankind, of terror and resilience. It is beautifully written in a fluent and evocative prose. It is the story of how people live with their pasts.
A stunning collection of memories, snippets, and specters.Pub Date: Oct. 10, 2017
ISBN: 978-1-61902-959-0
Page Count: 224
Publisher: Counterpoint
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
IN THE NEWS
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
