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HOW TO BE LESS STUPID ABOUT RACE

ON RACISM, WHITE SUPREMACY, AND THE RACIAL DIVIDE

A deft, angry analysis for angry times.

A scholar navigates between the academic and the vernacular in delivering some hard lessons on racism and white supremacy.

Fleming (Resurrecting Slavery: Racial Legacies and White Supremacy in France, 2017) promises to make her readers uncomfortable, particularly her white ones, and she succeeds. Yet the “stupid” in the title isn’t simply an insult. People are stupid about race, as she herself was, because they haven’t been properly educated. They know nothing of the interdisciplinary Critical Race Theory and think that “white supremacy” references should be limited to guys in hoods and other extremists. Fleming offers a crash course in what will be a radically new perspective for most and a provocative challenge that should inspire those who disagree with her to at least consider their basic preconceptions. “There are a certain number of prerequisites for the course that you will find in these pages,” she writes. “These include critical thinking, reflexivity, compassion, and a willingness to experience discomfort.” She proceeds to distinguish between personal prejudice and the more insidious and pervasive “systemic racism (a system of power).” It is by no means limited to America, but it has flourished along with white supremacy as “capitalist inventions.” As the author examines the history of a country in which white settlers appropriated the land of Natives from a different race and then harvested it through the labor of imported slaves of a different race, she builds a strong case that the existence of systemic racism is undeniable and is perpetuated by a white power structure, a white education system, and a white-controlled media for the benefit of a white elite. Rather than finding any sort of post-racial hope in Barack Obama, for whom Fleming once served as a campaign spokesperson, she now dismisses him as “the king of neoliberal tokenism…it’s almost as if he's competing for the title of the Most Sold-Out Sell-Out of all time or the Unclest of Uncle Toms.”

A deft, angry analysis for angry times.

Pub Date: Sept. 18, 2018

ISBN: 978-0-8070-5077-4

Page Count: 256

Publisher: Beacon Press

Review Posted Online: July 15, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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