EBONWILDE

Prophecies and romance close out a trilogy.

Back in the world of Renalt and Achleva, multiple complex storylines weave together old and new themes. Initial nods at “Snow White” and “Sleeping Beauty” soon fracture into “Now,” with chapter headings counting down the days till Midwinter, and “Then,” the events happening one year, 13 years, or over a century ago. The Circle Midnight, a cultlike group, is implicated in the prophesied catastrophe that familiar characters, royalty and commoners alike, are fighting to prevent. This drawn-out tale lumbers through breathless revelations and twisty-turny character reveals, with formerly dead Aurelia and the noble Dominic Castillion as reincarnations of ancient, magical Queen Vieve and her beloved consort, Adamus. Overly ambitious worldbuilding, including different magical systems and religious groups, bog down the forward motion of the plot. There are a few interesting elements: One-handed Kellan learns to control a prosthetic hand made out of magical quicksilver; young King Conrad (8 years old, though written more like an early adolescent) purposefully drugs himself with memory-erasing frostlace to avoid detection by a charismatic, telepathic leader; and a deadly fever—connected to political machinations—spreads through the populace at a horrifying rate. Skin tones range from pale to dark brown, but racial categories seem to not exist.

A ponderous finale.