An action-laden tale with vigor and cultural insight.
In Pires’ graphic novel, a near-future game show features the bloody executions of those deemed society’s worst offenders.
In mid-21st-century Los Angeles, murder is always available for streaming. The show Cancelled encourages its audience to vote on which people in the world they’d like to see die. Heavily armed assassins, including Roland Endo, who’s ranked first among the Cancellers, then track down the chosen and end their lives. One serial sexual harasser and assaulter, for example, meets an especially brutal end. For Roland, it’s just a job, but things take a disturbing turn when he learns Cancelled has been hacked, and now he’s set to be canceled. The show’s CEO anticipates a ratings boost and sees no need to stop other Cancellers from targeting Roland. Meanwhile, Roland scours the city for the hacker, and what he discovers is alarming—not only the hacker’s identity, but also what the hacker has to tell him. Although Pires’ blunt graphic novel has its share of humor, it takes itself seriously just as often. The story unfolds in a dystopian L.A. where the government has all but abandoned the working class. The taut narrative ultimately centers on the question of who among the public revels most in the violence that Cancelled delivers. Similarly, Roland isn’t the apathetic killing machine he appears to be, and his backstory hints at trauma suffered when he was a soldier. Still, the highlight of this graphic novel is its action. Castaniero’s stylized, full-color illustrations showcase Roland in battle mode as he floors opponents with fists, cookware, and what looks suspiciously like a lightsaber. The artwork is at its best in glorious full-page tableaux, whether they feature Roland calmly awaiting attackers or a collage of the show’s viewers cheering on the show’s barbarity.
An action-laden tale with vigor and cultural insight.Pub Date: Dec. 12, 2023
ISBN: N/A
Page Count: 110
Publisher: Mad Cave Studios
Review Posted Online: Jan. 3, 2024
Review Program: Kirkus Indie
PERSPECTIVES
A clever and timely conversation on reclaiming identity and acknowledging one’s full worth.
Superman confronts racism and learns to accept himself with the help of new friends.
In this graphic-novel adaptation of the 1940s storyline entitled “The Clan of the Fiery Cross” from The Adventures of Superman radio show, readers are reintroduced to the hero who regularly saves the day but is unsure of himself and his origins. The story also focuses on Roberta Lee, a young Chinese girl. She and her family have just moved from Chinatown to Metropolis proper, and mixed feelings abound. Jimmy Olsen, Lois Lane’s colleague from the Daily Planet, takes a larger role here, befriending his new neighbors, the Lees. An altercation following racial slurs directed at Roberta’s brother after he joins the local baseball team escalates into an act of terrorism by the Klan of the Fiery Kross. What starts off as a run-of-the-mill superhero story then becomes a nuanced and personal exploration of the immigrant experience and blatant and internalized racism. Other main characters are White, but Black police inspector William Henderson fights his own battles against prejudice. Clean lines, less-saturated coloring, and character designs reminiscent of vintage comics help set the tone of this period piece while the varied panel cuts and action scenes give it a more modern sensibility. Cantonese dialogue is indicated through red speech bubbles; alien speech is in green.
A clever and timely conversation on reclaiming identity and acknowledging one’s full worth. (author’s note, bibliography) (Graphic fiction. 13-adult)Pub Date: May 12, 2020
ISBN: 978-1-77950-421-0
Page Count: 240
Publisher: DC
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Lush visuals bring this thoughtfully constructed tale to life.
Wondrous visitors encounter a desperate pocket of humanity.
Lori, a white orphaned teen who’s finally been adopted after bouncing around various foster homes, awakens to discover that nearly everyone has disappeared. The rapture? Maybe. She runs into her classmate Annette, who has brown skin and curly black hair, and they partner up to scavenge for food. The pair tries to evade several threats, such as the large Wolves and a gang called The Dogs. Supernatural Giants arrive, seemingly from space, speaking an impenetrable language of “musical chiming and weird bass-rhythms.” Lori and Annette then meet Beatrice, an older white woman who shares important observations about the Giants and Wolves. The tone of the story then subtly shifts from post-apocalyptic desperation to one that’s somewhat playful. After a certain point, a visual element that appears early on takes on clear significance and meaning in the context of the story at large, offering a subversively humorous twist for readers to consider and a creative element that deviates from other alien invasion narratives. Hans’ artwork and paneling fill each scene with wonders. An interaction with a giant sees the red, violet, and pink figure standing against a bright, otherworldly white-and-blue backdrop with dark contours. Elsewhere, Lori and Annette pause at night as they behold ominous shadows, their foggy breath forming clouds, and they hear a “KRRNCH” sound. The quick-moving plot wraps everything up neatly.
Lush visuals bring this thoughtfully constructed tale to life. (character designs) (Graphic science fiction. 14-adult)Pub Date: Nov. 12, 2024
ISBN: 9781534387072
Page Count: 104
Publisher: Image Comics
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
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