More from this team would be a welcome addition to folk-tale collections.
A popular Japanese folk tale in which a crane pays back an obligation by becoming human is retold with an unusual ending and with haiku-sprinkled prose.
In this version, Yasuhiro—a young man who lives with Ryota, his embittered, widowed father—carefully frees an enormous crane from a trap pinning its foot to the snow-covered, “sharp buckwheat stubble of the landlord’s field.” As the crane flies away, Yasuhiro heads for home with firewood he has been gathering. Two nights later a beautiful maiden appears at the door, asking for a place to live in exchange for labor. Ryota accepts her offer, warning her that she must work hard and not be lazy or steal. When Ryota’s own attempts to find manual labor dwindle, the maiden, who calls herself Hiroko, offers to weave silk for him to sell, with the caveat that neither he nor Yasuhiro open the door of the weaving room while she is inside. The polished, full-color illustrations, strongly reminiscent of art by the fairy-tale illustrator Adrienne Segur, complement the lyrical text. Interspersed, color-coded haiku reveal the characters’ unspoken thoughts, adding an excellent dimension with potential for drama-group presentations. Although it’s a bit hard to believe that strapping Yasuhiro does little to bring home the tofu, the story otherwise rings satisfyingly true.
More from this team would be a welcome addition to folk-tale collections. (pronunciation guide, author’s notes) (Picture book/folk tale. 4-10)Pub Date: March 1, 2017
ISBN: 978-1-885008-57-2
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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