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RODHAM

Pleasurable wish fulfillment for Hillary fans.

How would Hillary Rodham’s life—and our world—be different if she had never married Bill Clinton?

In American Wife (2008), Sittenfeld imagined her way into Laura Bush’s head in the guise of a character named Alice Blackwell. In her new novel, she doesn’t bother to change the protagonists’ names, and we’re introduced to Hillary Rodham as she’s about to give her famous Wellesley College graduation speech and has an intimation of her “own singular future.” She goes to Yale, meets a charismatic former Rhodes Scholar, falls in love, catches him cheating on her, and follows him to Arkansas anyway. They try to come up with ways to tame Bill’s libido: “Maybe—what if—if I wanted it and you didn’t,” he asks her, “would you think it was disgusting if I laid next to you and touched myself?” That works for her. “Mapping out the future, coming up with strategies and plans—these were things we were good at,” she thinks. But then she decides not to marry him, and the history of the United States goes off in a different direction. The captivating thing about American Wife was imagining an inner life for Laura Bush, a First Lady who was something of a cipher, and in particular imagining that her politics were different from her husband’s. Sittenfeld sets herself an opposite task in this book, creating an interior world for a woman everyone thinks they know. This Hillary tracks with the real person who’s been living in public all these years, and it’s enjoyable to hear her think about her own desires, her strengths and weaknesses, her vulnerabilities and self-justifications; it’s also fun to see how familiar events would still occur under different circumstances. (Watch what happens when Bill Clinton appears on 60 Minutes with a less-astute wife at his side.) But there isn't much here that will surprise you.

Pleasurable wish fulfillment for Hillary fans.

Pub Date: May 19, 2020

ISBN: 978-0-399-59091-7

Page Count: 432

Publisher: Random House

Review Posted Online: May 4, 2020

Kirkus Reviews Issue: May 15, 2020

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE BLUE HOUR

This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.

The discovery that a revered artist’s sculpture contains a human bone sets off scandal and violence.

Art historian James Becker has what seems like a sweet deal. He’s the curator of the collection of the Fairburn Foundation, housed at a stately home owned by the Lennox family: Sebastian, Becker’s best friend, and his bitter mother, Lady Emmeline. Becker’s wife, Helena, was Sebastian’s fiancee first, but they’re all very civilized about it and happily awaiting the birth of her baby. The centerpiece of the Fairburn collection is works by the late Vanessa Chapman, an artist about whom Becker wrote his thesis, and with whom he is somewhat obsessed. Partly, it’s because of her great talent, but she was also a glamorous figure, a beauty who, as she became successful, sequestered herself on an isolated Scottish tidal island called Eris. She had a dark side—lots of stormy relationships, plus a philandering mooch of a husband who vanished without a trace a few decades ago. Her reputation, though, has risen after her death—so much so that the Fairburn has loaned some of her works to the Tate Modern. That’s where a forensic anthropologist sees one of her sculptures, made of found objects that include what’s described as an animal bone. The scientist is sure the bone is human, and soon Becker finds himself scrambling to prevent scandal. Vanessa willed her works and papers to the foundation, but some of them are still on Eris, guarded by her longtime friend Grace Haswell. A retired doctor, Grace lived with Vanessa off and on over the years and nursed her through her fatal cancer. It was a surprise when Vanessa left her estate not to Grace but to Douglas Lennox, Emmeline’s husband and Sebastian’s father. Douglas was Vanessa’s gallerist and lover, but the two had a nasty falling-out. Sebastian is so frustrated by Grace’s refusal to turn over all of the bequest that he’s ready to sue her, but Becker believes he can negotiate, so off to the the island he goes. He finds far more treachery and shocking secrets than he expected, past and present alike. Hawkins keeps her cast tight, her wild setting ominous, and her plot moving fast.

This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.

Pub Date: Oct. 29, 2024

ISBN: 9780063396524

Page Count: 320

Publisher: Mariner Books

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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