Heartbreaking and hilarious.
In Johnson’s novel, a brilliant physicist tries to build a life after narrowly surviving a childhood filled with reanimated dinosaurs, runaway aliens, and mutated Mexican beaded lizards.
Addressing an unidentified listener, John Chant recounts the wonder and heartbreak he experienced growing up as the child of parents Alan and Ann, two extraordinarily brilliant but emotionally unavailable scientists permanently at war with one another. It’s impossible to accurately convey the off-the-wall lunacy comprising the first act, but suffice it to say that it chronicles young John’s many adventures before the irrevocable rift between his parents leads to the ultimate dissolution of the family. (It’s clear that John’s eventful childhood has left an indelible mark on his psyche, and he wonders if he will forever be an outsider and alone.) That the author is able to follow all this up with even more absurdist insanity in the ensuing acts as John kicks off his teaching career at a university “College of Inhumanities” testifies to Johnson’s expansive storytelling prowess. Somehow, seemingly disparate story elements (like stolen “probability pumps” and the sullen kid John befriends in fifth grade) all weave together seamlessly in an unforced and pleasing fashion. This fantastical “memoir” following protagonist John’s attempts to navigate academic life (“‘Never fear blood’ was in fact the school sports motto”) after growing up a curious kid in an even curiouser family is a true work of literary alchemy. Packed with deep pathos and unrelenting dark humor, the novel delves deeply into questions about the true nature of love in all its mysterious—and quite possibly mystical—components. One of the most moving episodes in the story occurs when John and Ann speak for one last time at the latter’s gravesite—Ann’s confession to her heartbroken son is simple, concise and absolutely devastating, and the emotions it stirs feel fully earned and organic. By contrast, one of the funniest episodes happens when Dean Pancake—John Chant’s longtime simian nemesis—meets his ultimate fate. Some might find the humor morbid, and maybe even cruel; readers on Johnson’s wavelength will be too busy guffawing and welcoming the laughter.
Heartbreaking and hilarious.Pub Date: Sept. 24, 2024
ISBN: 9798991428422
Page Count: 348
Publisher: Baryon Dreams Press
Review Posted Online: Oct. 31, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
