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HARMONY IN CHAOS

AN ABSURDIST NOVEL

A freewheeling, thoughtful work of cyberpunk with a political edge.

The leader of a private army suffers a crisis of identity in Marco’s debut SF novel.

In the future, climate change runs unchecked, society is enthralled by a virtual reality system called Intratopia, and people upset with the government hire “Stick-it-to-the-man” robots to protest on their behalf. Eris is the commander of the Proxy, a private, non-ideological security force employed by the American president, Humbert, to prop up his unpopular administration. Eris has grown tired of being a killer-for-hire, however. “How much longer are we willing to sell our skillsets to the highest bidder?” she asks her officers. “How much longer will we play proxy to another nation’s conflicts? Until we die? Is this our great calling in life? To be…glorified hitmen?” She’s interested in self-determination, or at least independent statehood for the organization’s territory, Proximus Landus (previously known as Delaware, before it sank beneath—and then was reclaimed from—the ocean). Eris’ officers think she’s nuts. Their credo, and the credo of the Proxy at large, is to stay neutral and keep cashing checks. Eris’ personal crisis is exacerbated by the intrusion of two entities (who aren’t ghosts, precisely, but who don’t appear to be altogether “real,” either) who begin appearing at inopportune times. Rainbow Dancer is a frolicsome blonde woman who wears bright colors and keeps referring to Eris as “Harmonia.” Faceless Phantom wears a hood that obscures her identity and exposes Eris to nightmarish imagery. What do they want from her? And how do they fit into the larger intrigues of America’s collapsing political system? Eris will have to find out (about the strange beings and a lot of other covert happenings) to learn whether her purpose leads toward independence, neutrality, or a new kind of engagement with a world that seems hellbent on disengaging with reality.

Marco writes with unfettered imagination, creating a future America that, while outlandishly dystopian, manages to feel like an unsettlingly plausible outcome. Much of the action takes place in the wonderfully named New Fine City, a fully automated metropolis that has become a slum and whose operating system has been hacked to speak with the voice of a 1960s radio DJ. Eris laments about how the city has become too respectable under the control of the nation’s leading anarchist organization: “Ever since Shift Society took control of NFC, they’ve defined what’s morally acceptable and—rumor has it—shot all the pedophiles. I guess anarchists have moral thresholds. Now, it’s a more risqué Vegas.” The book’s subtitle bills the work as absurdist, but this is slightly misleading; the novel is satirical and sometimes cerebral, but it operates within the normal parameters of politically tinged SF. As is often the case with speculative novels, it takes the reader a while to get oriented within the vast invented world, but when this hurdle is cleared the political and technological machinations prove quite engaging. While the characters are not psychologically realistic—Eris, in particular, is hard to pin down from a motivational standpoint—they are big and intriguing in a way that keeps things fun.

A freewheeling, thoughtful work of cyberpunk with a political edge.

Pub Date: Dec. 8, 2023

ISBN: 979-8989390502

Page Count: 428

Publisher: Entropy

Review Posted Online: Feb. 14, 2024

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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GOLDEN SON

From the Red Rising Trilogy series , Vol. 2

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...

Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.

The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.  

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.

Pub Date: Jan. 6, 2015

ISBN: 978-0-345-53981-6

Page Count: 448

Publisher: Del Rey/Ballantine

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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