Another hilariously macabre folktale from the creators of Dancing Skeleton (1989). Stumbling over a thoroughly frozen corpse in the woods, down-at-heels bagpiper Willie McPhee tries to pull off its boots, only to have both feet break off inside. When a surly farmer grudgingly allows him to sleep in the barn sometime later, Willie tucks the boots under a cow to thaw, leaves the feet and his old ragged shoes near the cow’s mouth for the farmer to find, and hides. Parker’s poker-faced, loosely drawn and brushed watercolors capture Willie’s misery as he trudges through wintry landscapes, huddles down in the sparsely furnished barn to find what comfort he can, then gravely sets up his gruesome trick. Wait, there’s more. Thinking that the cow has eaten the piper, the farmer buries the feet, and then flees in panic when he sees Willie standing on the spot piping a tune. Willie happily moves into the farmhouse, only to open the door that night to a grim looking stranger lacking boots . . . and feet. There the tale ends, but be warned: shivering delightedly, entranced readers or listeners will positively demand to know what happens next, so have some version of “Tailypo” ready as a follow-up. (Picture book/folktale. 7-9)
Pub Date: Sept. 1, 2000
ISBN: 0-7894-2636-6
Page Count: 32
Publisher: DK Publishing
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 1, 2000
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
Nolen and Nelson offer a smaller, but no less gifted counterpart to Big Jabe (2000) in this new tall tale. Shortly after being born one stormy night, Rose thanks her parents, picks a name, and gathers lightning into a ball—all of which is only a harbinger of feats to come. Decked out in full cowboy gear and oozing self-confidence from every pore, Rose cuts a diminutive, but heroic figure in Nelson’s big, broad Western scenes. Though she carries a twisted iron rod as dark as her skin and ropes clouds with fencing wire, Rose overcomes her greatest challenge—a pair of rampaging twisters—not with strength, but with a lullaby her parents sang. After turning tornadoes into much-needed rain clouds, Rose rides away, “that mighty, mighty song pressing on the bull’s-eye that was set at the center of her heart.” Throughout, she shows a reflective bent that gives her more dimension than most tall-tale heroes: a doff of the Stetson to her and her creators. (author’s note) (Picture book. 7-9)
Pub Date: Sept. 1, 2003
ISBN: 0-15-216472-3
Page Count: 32
Publisher: Silver Whistle/Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2003
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