Fast-paced, well-plotted, frequently hilarious—as delicious as the finest French pastry.
Following the success of their Lady Janies books, the trio of Hand, Ashton, and Meadows enter the world of early modern shape-shifters.
It’s 1560 Paris, the royal court of King Henry and his queen, Catherine de Medici (described by the modern authorial narrators, who use the royal we, as “a playful sort of evil”). Seventeen-year-old Mary, Queen of Scots, has lived there for 12 years, is betrothed to Francis, the French dauphin; is supervised by her powerful French uncles; and is attended by four devoted ladies-in-waiting, all also named Mary. But the religious wars in this version of history aren’t Protestant versus Catholic—they’re between Verities, humans who cannot shape shift, and Eðians, who can. In Scotland, John Knox is publishing pamphlets denouncing Verities and casting doubts on Mary’s fitness to rule while in France, King Henry threatens to persecute all Eðians. Francis knows his beloved can change into a mouse—but so does his mother—and when King Henry dies in a jousting “accident,” Catherine threatens the new queen with a mousetrap. Meanwhile, Ari, daughter of the prophet Nostradamus, has visions that strongly resemble blockbuster movies, and Francis and Mary satisfy the too-curious court on their wedding night by enthusiastically jumping up and down on their bed. Three narrators seamlessly tell the tale, which includes a gentle queer romance. Everybody’s White.
Fast-paced, well-plotted, frequently hilarious—as delicious as the finest French pastry. (Historical fiction. 13-18)Pub Date: June 22, 2021
ISBN: 978-0-06-293004-0
Page Count: 512
Publisher: HarperTeen
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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