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DRIVE

An inspirational, information-packed tale inspired by a real feminist trailblazer.

Two independent spirits—a tween from 2019 and a young woman from the second half of the 20th century—share a passion for cars and racing that drives their stories toward an exciting intersection.

Twelve-year-old Alex fixes up old cars by watching videos posted online by a beloved Black woman mechanic and influencer. Meanwhile, in 1976, real-life racing legend Janet Guthrie (who appears here in a fictionalized portrait) becomes the first woman to compete in the Indianapolis 500. Both protagonists present white, both have fathers who don’t always support their ambitions, and both show resilience as they work toward their goals, finding allies and overcoming obstacles in their sexist, male-dominated environments. Guthrie faces funding issues, broken bones, and incessant harassment—and even decades later, toxic masculinity affects Alex’s journey. This juxtaposition affords readers an opportunity to put each character’s achievements into context and consider historical and present-day movements for gender equity. Pattison effectively uses different color palettes to distinguish the two timelines, but inconsistencies in Copeland’s draftsmanship and a lack of fluidity in the illustrations detract from the visuals: The racing scenes feel more static than speedy, and shifts in Alex’s appearance between panels make her expressions difficult to read. Still, the emotive pull of the story is strong, and when the characters ultimately meet in a scene set in 2019, the book’s galvanizing throughline—“onward!”—comes across clearly and movingly.

An inspirational, information-packed tale inspired by a real feminist trailblazer. (author’s note) (Graphic fiction. 8-12)

Pub Date: Jan. 7, 2025

ISBN: 9781523527250

Page Count: 272

Publisher: Little, Brown

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

Readers can still rely on this series to bring laughs.

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 18, 2019

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STEALING HOME

An emotional, much-needed historical graphic novel.

Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.

Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.

An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)

Pub Date: Oct. 5, 2021

ISBN: 978-1-5253-0334-0

Page Count: 112

Publisher: Kids Can

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

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