Endearing enough for Smith’s fans, too many subissues hinder an organic unfolding to convert new readers.
“Suburban,” Muscogee (Creek) girl Louise “Lou” Wolfe confronts the politics of being Native in an overwhelmingly white high school while finding first love.
Smith’s (Muscogee) (Feral Pride, 2015, etc.) novel begins “in the residual haze of [Louise’s] junior prom.” Heedless of Lou’s identity, “WASPy boyfriend” Cam insults Native people and then further invalidates the hurt Lou feels. A three-chapter interlude of summer months establishes characters and relationships. The remainder of the story occurs during the autumn of Lou’s senior year. Working for the Hive, the school newspaper, she teams up with possible love interest Joey Kairouz to uncover who’s behind Parents Against Revisionist Theater and its attempt to pull the curtain on the school’s ethnically inclusive fall production of The Wizard of Oz. Anonymous threats, vandalism, and power abuse by parents, school officials, and community members give Smith’s story potential to become an Indigenous version of The Chocolate War. Unfortunately, a chapter devoted to explaining the difference between “color-blind” and “color-conscious,” overly didactic attempts to teach readers about verbal and visual microaggressions and Native stereotypes, and parenthetical asides that read more like authorial intrusions as opposed to the inner thoughts readers would assume from the story’s first-person narration hold it back.
Endearing enough for Smith’s fans, too many subissues hinder an organic unfolding to convert new readers. (author’s note, glossary) (Fiction. 14-18)Pub Date: Oct. 9, 2018
ISBN: 978-0-7636-8114-2
Page Count: 304
Publisher: Candlewick
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
A thrilling, beautifully written page-turner.
A young woman pursues a dangerous quest in late-1800s Egypt in this sequel to What the River Knows (2023).
After Inez Olivera was nearly murdered while assisting with her uncle’s archaeological expedition in Egypt, Tío Ricardo is eager to ship her home to safety in Argentina. But Inez burns with the need to stay and make sure that those who committed crimes against her family are held responsible. Unfortunately, the law precludes Inez, as a young unmarried woman, from accessing her inheritance (needed to fund her quest for justice) without her guardian uncle’s permission. Whitford Hayes, a former British soldier and her tío’s aide-de-camp, proposes marriage, which could solve her problems. But can Inez trust the secretive Whit? More danger and intrigue lurk at every turn in this exciting duology closer, which fully addresses the first entry’s jaw-dropping cliffhanger. The well-paced plot encompasses many fresh, new adventures and betrayals in this reimagined historical setting in which ancient magic abounds and not everyone or everything is what it seems. Even more captivating, however, is the complicated, nuanced love story between Whit and Inez. Their chemistry sizzles, but their relationship is achingly layered with both profound loyalty and deep deception. As their journey unearths new enemies and priceless archaeological finds, the duo must try to trust each other enough to survive.
A thrilling, beautifully written page-turner. (cast of characters, map, timeline) (Historical fantasy. 14-18)Pub Date: Nov. 5, 2024
ISBN: 9781250822994
Page Count: 400
Publisher: Wednesday Books
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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