by Cynthia Levinson & Sanford Levinson ; illustrated by Ally Shwed ‧ RELEASE DATE: Sept. 22, 2020
A provocative illumination of the nooks and crannies of a document that citizens have come to take for granted.
A thorough examination of the Constitution, its promises and problems, in the form of a graphic novel.
The latest entry in the publisher’s World Citizen Comics series isn’t a patriotic celebration but rather an engagingly readable and well-researched analysis of how the Constitution came about and what its decisions and compromises have meant for the U.S. ever since. Featuring text by the Levinsons, who collaborated on a children’s title of the same name in 2017, and illustrations by cartoonist Shwed, the book offers a “report card” for the Constitution, giving it a C overall (it fares better on defense and poorer on promoting the general welfare). If the Constitution aims to form “a more perfect union,” we might well need a more perfect document. This could be accomplished via a considerable revision of a document that has proven singularly difficult to amend or through the calling of a new Constitutional Convention, all in the effort to deal with issues that the framers couldn’t have foreseen in 1787 or problems that were inherent flaws in the original compromise at a time when the country seemed less like a truly united country and more like a confederation of independent states, to which citizens owed their first allegiance. Fears that more populous states would exert their will over smaller ones have resulted in processes that the authors suggest are undemocratic, including the Electoral College, the makeup of the Senate, the filibuster, gerrymandering, and all sorts of political finagling that runs counter to the wishes of the majority. They provide numerous examples of how issues we face now are the result of decisions made by the framers when the concerns were very different. Perhaps a better Constitution would inspire a better country.
A provocative illumination of the nooks and crannies of a document that citizens have come to take for granted.Pub Date: Sept. 22, 2020
ISBN: 978-1-250-21161-3
Page Count: 288
Publisher: First Second
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Cynthia Levinson ; illustrated by Mirelle Ortega
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by Cynthia Levinson ; illustrated by Evan Turk
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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