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VOWS

A rare and unforgettable look inside a cloistered religious culture shrouded in obscurity.

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Two young women struggle with their faith—and the pull of the world—in Linkas’ novel.

Welcome to the Academy of the Sorrows of Mary, a convent-cum-prep school run by French Canadian Jesuit nuns who could teach the Marines a thing or two about discipline. The two main characters are Sister Philippe de Marie, a postulant in the order, and Janey Chadderton, a student in the attached prep school. We meet Sister Philippe as Janey’s new English teacher who ditches Tennyson in favor of Gerard Manley Hopkins (yes, this is daring stuff, and the girls revel in it). The story takes place over Janey’s senior year, and the titular vows provide the tension. Sister Philippe is expected to be taking final vows at year’s end. The students are not committed to the religious life (though it is not discouraged), but they are expected to take “Perpetual Vows” at graduation, meaning that whatever the rest of their lives hold, they will remain committed to Christ and the Church. Sister Philippe and Janey fall into something very much like love, with all the Sturm und Drang that goes with it. Janey sees things that she shouldn’t, which really tests her faith. Clearly Janey is based on the author, who went to just such a prep school, and Sister Philippe is likely based upon her older sister, Claudia, the dedicatee. Linkas is a published poet, and her writing reflects this poetic sensibility. After a toboggan flips over, Sister Jean, badly hurt, is described as “a ball of nun” in the snow. Early on, the nuns are described as “like a swarm of insects attacking the arbor, clipping at pride, curbing friendships,” and they “revered the mind, worshiped the soul, ignored the body.” And yet, despite the pious subject matter, this is a warmhearted and at times wondrously funny book.

A rare and unforgettable look inside a cloistered religious culture shrouded in obscurity.

Pub Date: July 18, 2024

ISBN: 9798888701980

Page Count: 289

Publisher: En Route Books & Media

Review Posted Online: Aug. 2, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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