by Cynthia Voigt ‧ RELEASE DATE: Sept. 9, 1983
This is the story of Jeff Greene, the guitar-playing high school boy Dicey Tillerman meets in Dicey's Song (1982)—but the connection isn't made until near the end. The story begins, matter-of-factly but with Kramer vs. Kramer pathos, when Jeff at seven finds his mother Melody's note explaining that she loves him but had to leave him to help the world's less fortunate and "make things better." Jeff is left with his stiff, expressionless father, "The Professor," who withdraws to his study (while Jeff, that first night, gets dinner) and appears unaware of his son—doing poorly at school, friendless, and a few years later, ill with pneumonia and an overlooked 104° fever. (This event shocks the father into a first, abstracted look.) The summer Jeff turns 12, his mother invites him to stay with her at her grandmother's house in Charleston; and though he doesn't see much of her he is overcome with love—cherishing her memory through the year, writing monthly unanswered letters, and buying a cheap used guitar because she had played one. There is a touching scene on Christmas when his father, who has grown a shade more attentive—thanks partly to the admonishment of his new friend Brother Thomas—presents Jeff with a superior guitar. Jeff must go to his father's study and convince him that it is just what he would have chosen. ("I'm sorry. I don't mean to be—emotional at you—I just—I just like it so much," says Jeff; and his father answers, "Thank you for taking the trouble to make that clear.") The next summer Jeff returns to Charleston, but sees even less of his mother—she is off on long trips with her dreadful boyfriend—and goes home dangerously withdrawn. The healing process begins several months later with a move from Baltimore to a Chesapeake Bay cabin he and his father choose together. Jeff does well at his new school, makes some friends, meets Dicey, and hangs out with the Tillermans—and he and his father, still reserved, become closer and easier with each other. Melody will visit twice, in a devious play for the inheritance her grandmother has left to Jeff, but by now he has hardened; the second time he is able to feel sorry for her. Later Jeff resolves his mixed heritage by deciding to go into ecology: "No, not saving the world or getting back to the good old prehistoric days, not that," he tells his father. "But responsible management of it, somehow. . . with computers too. . . ." This doubly simplistic resolution is disappointing, and Voigt's lack of sympathy for Melody's postulated type is a problem from the start. However, Jeff's own feelings at every stage are compellingly real and affecting; the growing closeness between him and his father is moving and subtly developed; and his own emotional development and growing character (that old-fashioned term is the only word for it) brings out Voigt at her best, as well.
Pub Date: Sept. 9, 1983
ISBN: 0689863608
Page Count: 359
Publisher: Atheneum
Review Posted Online: Oct. 27, 2011
Kirkus Reviews Issue: Sept. 1, 1983
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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PERSPECTIVES
by Gary Paulsen ‧ RELEASE DATE: Sept. 1, 1987
A prototypical survival story: after an airplane crash, a 13-year-old city boy spends two months alone in the Canadian wilderness. In transit between his divorcing parents, Brian is the plane's only passenger. After casually showing him how to steer, the pilot has a heart attack and dies. In a breathtaking sequence, Brian maneuvers the plane for hours while he tries to think what to do, at last crashing as gently and levelly as he can manage into a lake. The plane sinks; all he has left is a hatchet, attached to his belt. His injuries prove painful but not fundamental. In time, he builds a shelter, experiments with berries, finds turtle eggs, starts a fire, makes a bow and arrow to catch fish and birds, and makes peace with the larger wildlife. He also battles despair and emerges more patient, prepared to learn from his mistakes—when a rogue moose attacks him and a fierce storm reminds him of his mortality, he's prepared to make repairs with philosophical persistence. His mixed feelings surprise him when the plane finally surfaces so that he can retrieve the survival pack; and then he's rescued. Plausible, taut, this is a spellbinding account. Paulsen's staccato, repetitive style conveys Brian's stress; his combination of third-person narrative with Brian's interior monologue pulls the reader into the story. Brian's angst over a terrible secret—he's seen his mother with another man—is undeveloped and doesn't contribute much, except as one item from his previous life that he sees in better perspective, as a result of his experience. High interest, not hard to read. A winner.
Pub Date: Sept. 1, 1987
ISBN: 1416925082
Page Count: -
Publisher: Bradbury
Review Posted Online: Oct. 18, 2011
Kirkus Reviews Issue: Aug. 15, 1987
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