Family ties come through as the keynote of this satisfying and positive sequel to Homecoming, which sees Dicey and her three younger siblings settled on Grandmother Tillerman's Chesapeake Bay farm. With Momma in a mental hospital and local rumors that old Mrs. Tillerman is "Crazy," it's a relief to find Grain a wise and capable, if sometimes eccentric upbringer. Dicey still worries about the younger children's school problems, but she new has help in handling them: Grain visits Sammy's second grade and wins him points by beating all the boys at marbles; and James, a bright and bookish ten, studies methods and teaches slow, shy Maybeth, who's talented in music but failing in school, to read. And, as family troubles present themselves, Grain brusquely counsels Dicey on the variously appropriate policies of holding on, reaching out, and letting go. Eventually the prickly Dicey acknowledges a friend in Mina, a black girl who recognizes that she and Dicey are the two eighth-grade brains, and another in Serf, a tenth-grader with a guitar, who visits for family songfests although Dicey, not ready for dates, turns down his invitation to a dance. Fat Mr. Lingerie, Maybeth's music teacher, becomes another family friend, coming forth with sitting services and money for the undertaker when Dicey and Grain must travel to the children's dying Momma in Boston. The sadness of these final scenes is tempered with the satisfaction of a chapter closed and the knowledge that, as Momma's awkward, mouse-faced doctor says lamely, "It is better this way." Through all the hardships, comforts, and passages, Dicey remains the sturdy presence we met in Homecoming; new she and Gram make a strong, crusty pair, and the other children come along according to their observantly individualized courses. A resilient family and a gratifying journey's end.
Pub Date: Oct. 22, 1982
ISBN: 0786263520
Page Count: 381
Publisher: Atheneum
Review Posted Online: Oct. 27, 2011
Kirkus Reviews Issue: Oct. 1, 1982
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
