A GORGEOUS EXCITEMENT

An 18-year-old girl in Manhattan faces the troubled summer of 1986.

In an author’s note prefacing her terrific debut, Weiner explains that she was inspired by her experiences during the summer of what became known as the Preppy Murder in Central Park. Her title quotes Sigmund Freud’s characterization of the effects of cocaine, a reference that occurs to her intelligent, articulate, insecure protagonist, Nina Jacobs, as she’s about to try the drug for the first time with her new friend Stephanie. It’s the summer before Nina leaves for college at Vanderbilt, and she spends her days temping at office jobs—there’s one working for a hotel chain, inputting the reports of undercover investigators on a Wang word processor; another, at an almanac that made incorrect weather predictions, has her sorting hate mail. By night, she hangs out with her friends at a bar called Flanagan’s, where they don’t card the underage patrons. There, she meets an extraordinarily handsome but moody boy named Gardner Reed, with whom she and every other girl in the place are wholly infatuated. Also taking up real estate in Nina’s anxious brain is her mother, whose mental illness manifests alternately as immobilizing despair, random cruelty, and—after a medication change—manic wordplay and shopping. Weiner’s recreation of the period and the milieu—the headlines, the music, the products—is like a perfect pointillist painting, all the tiny details adding up to a richly textured, authentic impression of the city as it was in that decade. Each of her young female characters—from the badass Stephanie, who snorts coke between customers at the fancy Maison Rouge housewares shop, to the snooty Holland Nichols, Gardner’s girlfriend at the beginning of the novel, to the crude but ballsy Alison Bloch, who’s braver than Nina in calling out the casual antisemitism of their prep school friends—is fully three dimensional. With the strong young characters and the skin-crawling atmosphere created by creepy men, crimes in the news, porn shops, and overheated adolescent sexuality, the book recalls another excellent true crime–inspired novel, Emma Cline’s The Girls.

Carefully paced and beautifully written, this edgy coming-of-age novel succeeds on all counts.