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WRITTEN

THERE ARE NO CHOICES. IT WAS ALREADY WRITTEN.

An earnest, if overlong, novel about the lasting effects of a Bangladeshi Muslim childhood in England.

A girl from a conservative household grows into a woman torn between tradition and independence in Lee’s debut novel.

Growing up in a Bangladeshi immigrant family in Ashcroft, England, Eleanor is raised according to her mother’s Muslim faith. “We are not here to judge what is written,” her mother tells her, “only Allah knows what is written for us.” This notion of things being written doesn’t sit well with Eleanor, for why would Allah write such terrible things? The man who molests her at the mosque, for instance? Or the violence that Eleanor and her mother suffer at the hands of her father? At the age of 7, Eleanor is drawn to Mrs. Abbots, a friendly woman in a fur coat whom she meets while putting flyers under windshield wipers in Ashcroft to promote her father’s restaurant. Mrs. Abbots teaches her that life gives people the freedom to make their own choices, and, inspired by that idea, Eleanor attends college, moves out of the family home, gets a job, and begins to travel the world. She seems on track for a liberated, self-determined life but feels she owes it to her mother to enter into a traditional marriage, as she promised she would. She begins to see Syed, a Bengali man who would please her parents but who does not share Eleanor’s views on female independence. Will Eleanor end up a subservient housewife like her mother or find the freedom to write her own story? Lee tells Eleanor’s tale in smooth, expressive prose that captures her protagonist’s inner turmoil: “I woke up in the morning, staring emptily at the ceiling. Syed had already left for work. I could just walk out and leave, couldn’t I? I thought as I looked at the door. How many mornings had I let that thought run through my mind, only to unconvince myself?” At 570 pages, the book is far too long, particularly since the reader has a pretty good sense of where it is going from the start. That said, people caught between religious and secular cultures should be able to relate to Eleanor’s struggles and may see themselves in her story.

An earnest, if overlong, novel about the lasting effects of a Bangladeshi Muslim childhood in England.

Pub Date: Dec. 9, 2019

ISBN: N/A

Page Count: 526

Publisher: Loving Creative Inspirational Publishing

Review Posted Online: April 3, 2020

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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