Knut Hamsun remains the king of Nordic gloom, but Solstad gives him a run for the money in a story at once traditional and...
Morose but effective character study by esteemed Norwegian novelist Solstad (Professor Anderson’s Night, 2011, etc.).
Singer isn’t much to behold. He can’t dance, can’t sing, hasn’t gotten very far along in his aspirations to be a writer. What’s a bookish failure to do, having exhausted the possibilities of his job as a “punctual and conscientious sales clerk in the state liquor store”? Go to library school, from which Singer emerges at the age of 34 with a job in a small city in the mountainous Telemark district. He settles into a “simple, well-ordered life” that is soon disrupted by the attentions of ceramicist Merete Sæthre, who presumably settles for him in turn because there’s not a huge smorgasbord of romantic possibilities for a single mother with a 2-year-old child. Solstad breaks the fourth wall to tell us that he’s not going to tell us much more about Merete: “She is not the main character in this novel; it’s doubtful that she could have been the main character in any novel of a certain quality.” Thus, when her discontent with Singer mounts to the point of fracture, it’s easy enough, one supposes, to dispose of her, leaving Singer to tend to the young daughter who’s his in the eyes of the law only. Singer is, let us say, not adept at coping; as Solstad writes, it’s hard to imagine that he, too, “can be the main character in any novel at all, regardless of quality.” Still, after he summons up an imaginary friend upon whom to spill his grief, he manages to rise to the occasion, sort of. Suffice it to say that, as the years pass, single fatherhood doesn’t do much to improve his mood.
Knut Hamsun remains the king of Nordic gloom, but Solstad gives him a run for the money in a story at once traditional and postmodern.Pub Date: May 30, 2018
ISBN: 978-0-8112-2596-0
Page Count: 272
Publisher: New Directions
Review Posted Online: March 4, 2018
Kirkus Reviews Issue: March 15, 2018
IN THE NEWS
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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