Knut Hamsun remains the king of Nordic gloom, but Solstad gives him a run for the money in a story at once traditional and...
Morose but effective character study by esteemed Norwegian novelist Solstad (Professor Anderson’s Night, 2011, etc.).
Singer isn’t much to behold. He can’t dance, can’t sing, hasn’t gotten very far along in his aspirations to be a writer. What’s a bookish failure to do, having exhausted the possibilities of his job as a “punctual and conscientious sales clerk in the state liquor store”? Go to library school, from which Singer emerges at the age of 34 with a job in a small city in the mountainous Telemark district. He settles into a “simple, well-ordered life” that is soon disrupted by the attentions of ceramicist Merete Sæthre, who presumably settles for him in turn because there’s not a huge smorgasbord of romantic possibilities for a single mother with a 2-year-old child. Solstad breaks the fourth wall to tell us that he’s not going to tell us much more about Merete: “She is not the main character in this novel; it’s doubtful that she could have been the main character in any novel of a certain quality.” Thus, when her discontent with Singer mounts to the point of fracture, it’s easy enough, one supposes, to dispose of her, leaving Singer to tend to the young daughter who’s his in the eyes of the law only. Singer is, let us say, not adept at coping; as Solstad writes, it’s hard to imagine that he, too, “can be the main character in any novel at all, regardless of quality.” Still, after he summons up an imaginary friend upon whom to spill his grief, he manages to rise to the occasion, sort of. Suffice it to say that, as the years pass, single fatherhood doesn’t do much to improve his mood.
Knut Hamsun remains the king of Nordic gloom, but Solstad gives him a run for the money in a story at once traditional and postmodern.Pub Date: May 30, 2018
ISBN: 978-0-8112-2596-0
Page Count: 272
Publisher: New Directions
Review Posted Online: March 4, 2018
Kirkus Reviews Issue: March 15, 2018
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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