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GRITOS

Sometimes clumsy, sometimes incidental, but distinguished by honesty (“I think some people deserve to get their asses...

Debut nonfiction from the noted Chicano novelist and short-story writer (Woodcuts of Women, 2001, etc.), who gathers essays and occasional pieces written over more than 20 years.

Describing his approach to essay writing as “first-person stupid,” Gilb pretends to offer no definitive answers. A construction worker before turning to writing—a past on which many of these pieces turn—the author has a steady hand and a workmanlike attitude, and though his essays contain few surprising aperçus or dazzling remarks, neither are they showy or self-indulgent. A few pointed remarks note the marginalization of minority writers in the US. Gilb wonders, for instance, why Jonathan Franzen’s celebrated Harper’s canon “couldn’t find a single writer of importance who was not from the historically dominant culture,” observes that the world of New York publishing is far removed from that of a Tejano journeyman such as himself, and takes issue with Southwestern-literature curricula that do not embrace the work of such writers as Rolando Hinojosa and Américo Paredes, to say nothing of younger Chicano authors. In several essays Gilb touches on his experiences as a university instructor of creative writing. He insists, among other things, that he be allowed to teach entry-level composition, because those students haven’t acquired the gloss of smug would-be professionalism that distinguishes MFA candidates, about whom he has little good to say. Using the work of Cormac McCarthy, Larry McMurtry, and others as springboards, Gilb also explores to good purpose the curious relationship of Mexican-Americans to Mexico, a place that Gilb evokes as something of a wonderland while avoiding the clichés that mark so much writing about the land south of the border.

Sometimes clumsy, sometimes incidental, but distinguished by honesty (“I think some people deserve to get their asses kicked”), bittersweet optimism, and plain good writing, these pages offer Gilb’s fans—and they are many—much to admire.

Pub Date: May 1, 2003

ISBN: 0-8021-1742-2

Page Count: 272

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2003

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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