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OVER THE DEEP BLUE SEA

Name: OVER THE DEEP BLUE SEA
Author: Daisaku Ikeda
ISBN: 0-679-84184-9

by Daisaku Ikeda & translated by Geraldine McCaughrean & illustrated by Brian Wildsmith ‧ RELEASE DATE: May 3, 1993

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Akiko and Hiroshi are lonely on the island to which their parents' work has brought them, until they meet Pablo, who shows them the tropical world's entrancing secrets, teaches them to paddle an outrigger canoe, and shares the delights of a coral reef. Then, suddenly, Pablo declares himself an enemy: he's asked his grandma about the wreck in the bay and learned how ``people from your country'' attacked the island long ago. The conclusion is trite—Hiroshi sets out on his own in a canoe and, caught in a strong current, is heroically rescued by Pablo; then an adult explains that their ancestors may have come from the ``same place,'' carried in their ``tiny boats all around the world''— but redeemed by the vividly phrased text, while Wildsmith has outdone himself in splendid paintings of a lush tropical isle aglow between a richly luminous sky and a gloriously beautiful sea. It's good, too, to have the Japanese point of view on the lingering resentments born of WW II. A useful multicultural contribution that's a joy to behold. (Picture book. 4-9)

Pub Date: May 3, 1993

ISBN: 0-679-84184-9

Page Count: 30

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1993

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
THE PRINCESS AND THE MOON
by Daisaku Ikeda & translated by Geraldine McCaughrean & illustrated by Brian Wildsmith

- BOOK REVIEW
THE CHERRY TREE
by Daisaku Ikeda & translated by Geraldine McCaughrean & illustrated by Brian Wildsmith

- BOOK REVIEW
THE SNOW COUNTRY PRINCE
adapted by Daisaku Ikeda & translated by Geraldine McCaughrean & illustrated by Brian Wildsmith

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TALES FOR VERY PICKY EATERS

by Josh Schneider & illustrated by Josh Schneider ‧ RELEASE DATE: May 1, 2011

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Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
ULTRABOT'S FIRST PLAYDATE
by Josh Schneider ; illustrated by Josh Schneider

- BOOK REVIEW
KID AMAZING VS. THE BLOB
by Josh Schneider ; illustrated by Josh Schneider

- BOOK REVIEW
EVERYBODY SLEEPS (BUT NOT FRED)
by Josh Schneider ; illustrated by Josh Schneider

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ABIYOYO RETURNS

by Pete Seeger & Paul Dubois Jacobs & illustrated by Michael Hays ‧ RELEASE DATE: Oct. 1, 2001

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The seemingly ageless Seeger brings back his renowned giant for another go in a tuneful tale that, like the art, is a bit sketchy, but chockful of worthy messages. Faced with yearly floods and droughts since they’ve cut down all their trees, the townsfolk decide to build a dam—but the project is stymied by a boulder that is too huge to move. Call on Abiyoyo, suggests the granddaughter of the man with the magic wand, then just “Zoop Zoop” him away again. But the rock that Abiyoyo obligingly flings aside smashes the wand. How to avoid Abiyoyo’s destruction now? Sing the monster to sleep, then make it a peaceful, tree-planting member of the community, of course. Seeger sums it up in a postscript: “every community must learn to manage its giants.” Hays, who illustrated the original (1986), creates colorful, if unfinished-looking, scenes featuring a notably multicultural human cast and a towering Cubist fantasy of a giant. The song, based on a Xhosa lullaby, still has that hard-to-resist sing-along potential, and the themes of waging peace, collective action, and the benefits of sound ecological practices are presented in ways that children will both appreciate and enjoy. (Picture book. 5-9)