Tense pages hard-focused on aerial hardware as Brown pumps it up for fans—who know what they’re getting.
Old Dog Brown brings back his favorite technothriller heroes for what will likely be their 15th consecutive assault on the bestseller list, despite ever more unwieldy plots, laboriously detailed fantastic weapons, and bombastic action sequences.
Forcibly retired US Air Force General Patrick McLanahan (Wings of Fire, 2002, etc.) and his unsanctioned Night Stalker special ops corps of freelance commandos (who work outside the government) have saved the world several times over from total destruction and always win the biggest stakes on the table. What is an Air Battle Force? Well, former child prodigy aeronautical and space engineer Jon Masters has devised the Vampire bomber, which carries StealthHawk Unmanned Combat Air Vehicles within it. McLanahan leads the 1st Vampire Squadron, and StealthHawks are the leading edge of the force he and Wing Commander Rebecca Furness use to launch a counterattack against Afghan Captain Wakil Mohammad Zarazi’s Taliban troops, who capture a UN Afghan Relief and Rehabilitation unit in Northern Afghanistan. Air Battle Force is the future of air warfare and in part consists of robot warplanes launched from the Vampire bomber. Flying a B-1 over air space congruent to Afghanistan, Iran, Pakistan, and Turkmenistan, McLanahan loses a robot plane and goes searching for it through various hostile radars and air defense systems while running almost on empty. As it happens, the Turkmenistan oil fields have become the prime target of Taliban and Al-Qaeda forces no longer safe in Afghanistan. The novel bomber makes a pancake landing, skipping off the ocean onto a beach. The technoclimax comes with the Vampire in a dogfight while attacking an airbase in the Russian Federation.
Tense pages hard-focused on aerial hardware as Brown pumps it up for fans—who know what they’re getting.Pub Date: May 13, 2003
ISBN: 0-06-009409-5
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2003
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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