In this bold and impassioned analysis, Barber insists that chefs have the power to transform American cuisine to achieve a...
A multiple James Beard Award–winning chef proposes a revolutionary change for growing and consuming food.
Moving beyond the organic farming and farm-to-table movements, Blue Hill executive chef Barber argues for the importance of the whole farm: an integrated, biodynamic system that sustains the richness and diversity of land and sea. American agriculture—with its large farm holdings, monoculture and unwieldy machinery—often leads to farmers’ lack of intimacy with the land. “It’s that lack of intimacy,” writes the author, “that leads to ignorance, and eventually to loss.” What is lost is taste and nutritional quality. Visiting small American and European farms, Barber learned the importance of nurturing soil that contains “a thriving, complex community of organisms.” A carrot grown in earth that contains diverse phytonutrients tastes entirely different from one subject to insecticides and fungicides. Even farms that do not use chemical controls—the so-called “industrial organic” farms—may grow plants in nutrient-poor sandy soil, enriched by organic fertilizer. Barber interweaves food history, conversations with experts in food preparation, production and nutrition, and colorful anecdotes from his travels to farms, restaurants and markets. He tracked down Spaniard Eduardo Sousa, who raises geese for foie gras by allowing them to graze freely on acorns, getting fatter as they do naturally to prepare for migration. Rather than force-feeding, giving geese what they want, Sousa believes, results in exceptional foie gras. “When we allow nature to work, which means when we farm in a way that promotes all of its frustrating inefficiencies—when we grow nature,” Barber writes, what we harvest is both abundant and flavorful. The same principles that apply to soil are relevant to the sea, as well; agriculture and aquaculture are not separate entities. Barber’s menu for 2050 features baby oat tea; blue wheat brioche; pigs’ blood sausage; trout in phytoplankton sauce; and beer ice cream.
In this bold and impassioned analysis, Barber insists that chefs have the power to transform American cuisine to achieve a sustainable and nutritious future.Pub Date: May 20, 2014
ISBN: 978-1-59420-407-4
Page Count: 496
Publisher: Penguin Press
Review Posted Online: April 9, 2014
Kirkus Reviews Issue: May 1, 2014
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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