A thoroughly researched attack on America's war on drugs. Baum, a former Wall Street Journal reporter, traces American drug policy back to the presidency of Richard Nixon, when several eager young aides were given the opportunity to turn their personal contempt for drugs into national policy. Despite several studies that recommended the legalization of marijuana—in 1969 more Americans died per year by falling down stairs than from a drug overdose—Nixon's team declared marijuana public enemy number one. Baum traces a connection between an attack on marijuana use in Vietnam and the sharp increase of heroin use among the soldiers, a habit with far greater consequences once they brought it home. The war on drugs grew with each new president, swelling prison populations and shrinking school budgets, though the number of deaths due to drug use remained low. Baum can scarcely mask his contempt for the methodology used by these early drug czars, and his sarcasm toward Nixon's boys and their successors, the ``Bennettistas,'' is ugly. Baum's scrutiny of the truth behind the drug hysteria, however, is impeccable, and the second half of the book serves as a horrifying catalogue of a bloated policy run amok. Baum details several cases where individuals were murdered in their homes by overzealous police; the investigations had been spurred by rumors. Baum theorizes that Los Angeles millionaire Donald Scott may have been killed because local drug agencies were eager to take over his beautiful ranch. In 1991, 80 percent of people who had property confiscated were never formally charged with a crime. And routine police use of drug-sniffing dogs can also lead to false accusations: The Pittsburgh Press found in 1991 that 96 percent of the US currency in use was tainted with enough cocaine to make the dog respond. A passionate salvo in the bitter debate over drug policy.
Pub Date: June 5, 1996
ISBN: 0-316-08412-3
Page Count: 416
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1996
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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