by Dan Bernstein ‧ RELEASE DATE: Jan. 1, 2019
A narrowly focused book that reads smoothly, chronicling a newspaper’s dedication to doing “its job: tell readers about...
A retired journalist from the Riverside (California) Press-Enterprise recounts his publication’s unlikely crusade to open court proceedings to the public; two appeals reached the U.S. Supreme Court.
Before the 1980s, judges throughout California routinely excluded journalists and citizens from courtrooms during preliminary hearings and jury selection in cases proceeding to trial. Along with most other news organizations, the family-owned Press-Enterprise accepted the restrictions. But three extremely high-profile criminal cases led the owner/publisher and his feisty top editor to challenge judges’ decisions to close their courtrooms during consequential stages of the proceedings. In addition to fully explaining the First Amendment issues at stake, Bernstein (The Tortoise and the Hare Race Again, 2006, etc.) humanizes the narrative by offering extensive portraits of the Press-Enterprise decision-makers, the unlikely lawyers they retained, the local judges involved, and the prosecutors and defense attorneys in the three death penalty cases: a botched bank robbery that ended in a bloody fashion, the rape and murder of a high school girl, and “at least a dozen drug-induced murders of elderly hospital patients by a misguided employee.” The author has clearly conducted prodigious research about the three cases, the local judges and lawyers, the justices serving on the Supreme Court during the 1980s, and the agonizing decision-making inside the Press-Enterprise newsroom. Bernstein longs for an era when a newspaper owner would spend large amounts of money to appeal all the way to the Supreme Court—not once, but twice during the same decade—with no guarantee for any financial return on the investment. Perhaps most enlightening and impressive is the author’s acquisition of notes from the justices and their clerks about the closed-door deliberations leading to favorable decisions about the openness of hearings and jury selections.
A narrowly focused book that reads smoothly, chronicling a newspaper’s dedication to doing “its job: tell readers about shocking crimes in their own backyard.”Pub Date: Jan. 1, 2019
ISBN: 978-1-4962-0201-7
Page Count: 256
Publisher: Univ. of Nebraska
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
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by Dan Bernstein & illustrated by Andrew Glass
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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