Not the last word but an earnest, endearing homage to an outstanding actor.
A bittersweet biography of an intensely private artist.
Unerringly tight-lipped throughout his career, actor James Gandolfini (1961–2013) exists as a kind of burly but amiable cypher who defies close examination. That he somehow managed, despite his media-shy disposition, to convince legions of Sopranos fans that they actually knew what made him tick is testament to his considerable powers as an artist. With little in the way of original source material to draw upon, Star-Ledger art critic Bischoff relies heavily on Gandolfini's impressive collection of work to help define his subject's remarkable life. What he finds, despite Gandolfini's undeniably magnetic presence on screen, is a remarkable actor who nevertheless found the process of acting incredibly taxing—and a genuinely "regular guy" who felt insecure about his craft. "About a week before a production was supposed to start filming, we'd get a letter, copied to the director, in which Jim would give everybody an out, asking them if they were sure they thought he could do the part," says Gandolfini's manager Mark Armstrong. "And he'd always include the names of three actors he thought were available who could do a better job." Bischoff makes sure to include ample insider Sopranos information, largely focusing on ever-increasing sums of money and the ensuing contract battles. However, the author shines in his behind-the-scenes explorations. In trying to divine who this intrinsically "Jersey guy" was, Bischoff reminds readers that Gandolfini passed away while vacationing with his young son and that the women he'd loved at various points in his life found it possible to sit near each other at his funeral. In his case, the absence of chatter surrounding his possible failings speaks volumes about his success as a human being.
Not the last word but an earnest, endearing homage to an outstanding actor.Pub Date: April 8, 2014
ISBN: 978-1-250-05132-5
Page Count: 272
Publisher: St. Martin's
Review Posted Online: Feb. 11, 2014
Kirkus Reviews Issue: March 1, 2014
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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