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AWAIT YOUR REPLY

The novel and the short story each aspire to a different kind of perfection. We think no less of Alice Munro because she...

A sprinter who excels at the 100-yard dash may never attempt a marathon. A poet who composes haiku might not be able to sustain an epic. Though writers of short stories are almost invariably encouraged to become novelists—a contract for a debut story collection is typically a bet hedged against the longer work to come—some authors who master the former don’t seem as well suited to the latter. Maybe it’s a question of scope, or even artistic stamina, but the novel requires a different mindset. It isn’t just a longer story.

Ohio’s Dan Chaon, whose two collections established him as one of America’s most promising short story writers, returns this fall with a second novel, Await Your Reply, easily his most ambitious work to date. As in his stories and previous novel (You Remind Me of Me, 2004), this book focuses on family dynamics, the quest for identity and the essence of the Heartland—in some ways, Chaon is to the Midwest what Richard Russo is to the Northeast—but the structure has an innovative audacity missing from his earlier, more straightforward work. The novel initially seems to be three separate narratives, presented in round-robin fashion, connected only by some plot similarities (characters on a quest or on the lam, a tragic loss of parents) and thematic underpinnings (the chimera of identity). One narrative concerns a college dropout who learns that the man he thought was his uncle is really his father, who recruits him for some criminal activity involving identity theft. The second involves an orphan who runs away with her high-school history teacher. The third features a twin in his 30s in search of his brother, likely a paranoid schizophrenic who occasionally sends messages yet refuses to be found. It’s a tribute to Chaon’s narrative command that each of these parallel narratives sustains the reader’s interest, even though there’s little indication through two-thirds of the novel that these stories will ever intersect. And when they do, the results are so breathtaking in their inevitability that the reader practically feels compelled to start the novel anew, just to discover the cues that he’s missed along the way.

The novel and the short story each aspire to a different kind of perfection. We think no less of Alice Munro because she reigns supreme in the shorter form (though her short stories are longer than most). We continue to hail William Trevor and Lorrie Moore primarily for the exquisiteness of their stories, though both have attempted novels as well (shorter than many). More recently, Donald Ray Pollock’s hard-hitting Knockemstiff, a debut collection of interrelated stories, could have easily been marketed as a novel. And Aleksander Hemon’s return to stories with Love and Obstacles could pass as a follow-up novel to his brilliant The Lazarus Project. With Chaon, one senses that there’s no going back. His stories established his early reputation. He did that. Now he’s doing this.

Pub Date: Sept. 1, 2009

ISBN: 978-0-345-47602-9

Page Count: 328

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2009

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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