Sumptuous sci-fi with originality to spare.
Cray’s sci-fi thriller stars a heroine who battles a hidden race determined to curtail humanity’s growth.
Andra Barger is a diminisher. Utilizing arcane abilities, she stalks pregnant women and surreptitiously places a special gel on their palms. The gel chemically alters the unborn children, “diminishing” them by preventing special powers from developing. Andra performs this chilling work at the behest of the Cinüe, a hidden branch of humanity, who have managed their evolution. The Cinüe have sequestered themselves in a place called Edenshire, but every 50 years, the Sugar Dandruff Council—nine individuals who assign Andra’s targets—vote on whether to maintain or repeal the Jeremiah Maybe Diminishing Act, which according to Cinüe leader Asantha Cooray VIII, is about “keeping everyone equal...and keeping the peace.” While on assignment in Hawaii, Andra runs into Wade, an old flame who acts as a “mailman” for the Cinüe. He delivers a message from Asantha herself: “Sugar Dandruff Council convening in three days for renewal vote. You’ll be my proxy.” Andra’s first instinct is to vote against renewing the Diminishing Act. When she eventually meets Asantha, however, so begins the unraveling of the world’s deepest secrets. In this visionary work, Cray (Friends from 4 A.M., 2012, etc.) marries heady concepts to kaleidoscopic tableaux while keeping both in service to his characters’ humanity. The work continually surprises, as in the line about Wade’s “necrospondence,” a special candle that’s like “peeking inside a Faberge egg, only the ‘egg’ could spy upon another place.” Cray also delights in the most gorgeous settings, from the opening on a Hawaiian beach to Australia’s red sandstone monolith Uluru, which “sparkled whenever the fading twilight hit the coarse quartz and feldspar.” The narrative’s whiplash pacing is perfect with a species at stake, and Cray parlays every plot element—including Jackson, Andra’s terminally ill brother—into a satisfying twist. Ultimately, this adventure is a linguistic feast and a moral challenge that readers should be eager to pass along.
Sumptuous sci-fi with originality to spare.Pub Date: Aug. 14, 2018
ISBN: 978-1-940317-07-6
Page Count: 338
Publisher: Third Quandary Books
Review Posted Online: June 18, 2018
Kirkus Reviews Issue: Aug. 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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