A World War II and postwar thriller driven by one dentist’s fateful decisions, made to protect his family.
A Jewish dentist battles his way through the Holocaust, the Intifada, and the lingering presence of Nazis.
In this novel, Green (Blue Saltwater, 2010) opens with dentist Friedrich Mendelssohn, who conceals his Jewish ancestry and fills cavities for German officers in World War II Vienna. When one patient, Col. Heinz Bauer, discovers Friedrich’s secret, the two make a bargain that allows the dentist and his fiancee, Eva Schmidt, to escape Europe. They settle in Palestine shortly before the foundation of Israel, and establish a dental practice that treats Jews and Arabs equally. But the practice is destroyed in Arab-Israeli fighting, and Friedrich and Eva leave for the United States with Fadi, the orphaned son of two of their Palestinian employees. In 1992 California, Friedrich is a widower living in a retirement community, and Fadi, now named Frank, has gotten involved with drugs and the Russian mob. With both the police and the criminals chasing him, Frank flees to Egypt and finds himself in Gaza, providing dental care to the settlement. A series of events lands Frank in military custody and brings Friedrich to Israel to own up to his bargain with Bauer and help a group hunting former Nazis in exchange for his son’s freedom. The occasionally convoluted narrative is filled with scenes of sometimes-graphic violence, and offers a stark portrayal of war, insurrection, and the intransigence of the Israeli-Palestinian conflict. Green’s own dental background brings vivid detail to the many extractions and fillings, and the profession that brings both father and son deep into the story’s intrigue is a fully realized element of the tale. Although the plot stretches the bounds of plausibility through its many twists and turns, thriller fans will find nothing truly incredible, and it should appeal to readers with a sense of adventure and a strong stomach. Minor but persistent grammatical and punctuation errors (for example, “He said it’s regarding a man named, Bauer”) are noticeable but do not significantly hamper the writing.
A World War II and postwar thriller driven by one dentist’s fateful decisions, made to protect his family.Pub Date: Oct. 27, 2016
ISBN: 978-1-5375-2967-7
Page Count: 336
Publisher: CreateSpace
Review Posted Online: March 7, 2017
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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