Kids practicing their reading skills deserve better.
The reluctant rhyming, rapping dino has to be dragged to the supermarket by his mother, but maybe shopping isn’t so bad.
In this outing, Rappy saves the day with his rhymes when his mother forgets her shopping list: luckily, he made up a poem. Up and down the aisles they roam, Rappy’s attitude slowly changing as he sees all the goods on offer. The young dino even goes out of his way to be helpful, volunteering to find the toilet paper on his own. But the precarious tower of tissue comes tumbling down on his head, bringing the manager running: “You’re a pest. / You made a mess. / And now I’m feeling lots of stress. / I’m gonna scream and lose control, / Unless you pick up every roll!” Turns out Rappy is a born salesman, and in no time, he has shoppers coming to pick up something they all need: “But just in case you forgot ’em, / This is something for your bottom!” Gutman makes the move to early readers with this entry in the I Can Read! series, a level two (“reading with help”) that uses challenging vocabulary (“mosquito,” “cough,” “windshield,” “guaranteed”) and anywhere from four to nine lines of verse on each page, with Bowers’ illustrations serving to break up the text. Unfortunately, rhymes often feel forced and the scansion falters, making this a lackluster outing.
Kids practicing their reading skills deserve better. (Early reader. 4-8)Pub Date: Jan. 3, 2017
ISBN: 978-0-06-225263-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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