It’s dismaying to see a great sportswriter reduced to feeble self-parody, becoming a potty-mouthed adolescent whose chief...
The pride of Goat Hills, Jenkins, perhaps our best living golf writer, returns to his thinly fictionalized version of the PGA Tour for the first time in a quarter-century.
When his novel Dead Solid Perfect was published in 1974, Jenkins (Rude Behavior, 1998, etc.) became one of the only writers to offer a fictional look at life on the pro-golf circuit. Few have taken up the challenge since (other than some mystery authors), and now Jenkins returns to this still relatively virgin territory for a second golf outing. The protagonist-narrator this time is Bobby Joe Grooves, a middle-of-the-pack pro with two ex-wives, a passion for golf history, and a taste for J&B and the good life. Although the setting is the golf tour and the story is larded with tour lore and history—the best parts of it, really—this effort isn’t much different from Jenkins’s previous novels about pro football or journalism: a stand-up comedy routine that goes on for nearly 300 pages, offering a bawdy, cynical, and outrageous picture of Good Ol’ Boy America as seen from the inside. There are lots of funny one-liners (“Nobody in pro golf reads the money list closer than ex-wives”) sprinkled in among the tales of horny men and willing women. But this is an aimless and meandering tale whose big plot development—that Bobby Joe wants desperately to make the Ryder Cup team and represent the USA—isn’t unveiled until Chapter 17 and whose denouement is both telegraphed and underplayed, with the result that the payoff to all the wandering is minimal at best. Jenkins, too, seems to have lost interest long before the final page.
It’s dismaying to see a great sportswriter reduced to feeble self-parody, becoming a potty-mouthed adolescent whose chief delight seems to be thinking up new ethnic and gender epithets. Pathetic.Pub Date: Aug. 1, 2001
ISBN: 0-385-49723-7
Page Count: 272
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2001
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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