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WHAT UNITES US

REFLECTIONS ON PATRIOTISM

A full-throated celebration of the national spirit and its potential to persevere in spite of dangers foreign and domestic.

One of the deans of the Fourth Estate defends the traditional American values he learned to cherish in childhood, now under threat in a tempestuous political and economic climate.

With straightforward chapter names like “The Press,” “Empathy,” and “The Environment,” “Science,” and “Public Education,” Rather (Rather Outspoken: My Life in the News, 2012, etc.) expounds on the qualities and characteristics that he believes make America great and on what must be done to overcome the formidable challenges it faces. His own profession is among those most at risk: “Presently, the institution of a free press in America is in a state of crisis greater than I have ever seen in my lifetime, and perhaps in any moment in the nation’s history.” Brief essays on each topic incorporate sepia-toned vignettes from Rather’s childhood or his storied career, although rarely does he go into significant detail. Overall, the tone is something of a greatest-hits compilation of American civic life and the national spirit, and readers may be forgiven for thinking that the book was rushed to respond to the election. Rather stresses the importance of standing firm against a coarsening of values, noting, “in moments like the present, when our government has become erratic and threatens our constitutional principles, dissent is doubly necessary to resist a slide into greater autocracy.” He also asks, “when did we accept a can’t-do spirit from so many of our national leaders?” Disappointingly for one of the country’s most famous investigative journalists, Rather never fully investigates anything here, hitting all the well-rehearsed, expected topics, many of which he has already potently addressed through social media. Though the situation is dire, he remains optimistic, reminding readers that “we have been through big challenges in the past, that it often seems darkest in the present.”

A full-throated celebration of the national spirit and its potential to persevere in spite of dangers foreign and domestic.

Pub Date: Nov. 7, 2017

ISBN: 978-1-61620-782-3

Page Count: 256

Publisher: Algonquin

Review Posted Online: Sept. 3, 2017

Kirkus Reviews Issue: Sept. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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