A paean to friendship and the resilience of the human spirit.
A moving journey through grief, loss, war, and new beginnings for three childhood friends on the cusp of finally growing up.
Irish debut novelist Sheehan packs an emotional gut punch in his new book, as well as a fair number of laughs—a tightrope walk to be sure, but one he handles with aplomb. The story is set in the mid-1990s and concerns the efforts of Karl and Baz, two friends, to help their friend Tom, a failed war correspondent–turned–relief worker, who returns to their native Dublin from the Bosnian War a shellshocked ghost of his former self. Karl and Baz convince Tom to accompany them to an experimental treatment facility for PTSD in Northern California, a last-ditch effort to restore some semblance of a normal life for him. The novel alternates between Karl’s first-person narrative (which shifts between laugh-out-loud schoolboy humor and heartbreaking pathos, often in the same breath) and Tom’s sober, journalistic account of his time in Sarajevo, of atrocities witnessed, of friends made and lost. As such, the novel reads as part buddy road movie, part harrowing war movie, switching between hijinks and horror. Hovering above the entire narrative is the memory of Karl’s foster brother, Gabriel, who committed suicide not long before the book begins, an albatross of grief and regret hanging around the characters’ necks. The novel reads like a long, slow reveal—several of the most dramatic events that give the story its heft show up in the first few pages, but the hows and whys are slowly doled out over the course of the rest of the book, and this keeps the reader involved. Certain events in the third act may be a bit too far-fetched for some, but they serve the story well; with the depth of character on display here, a few plot points do not affect the emotional impact of the conclusion.
A paean to friendship and the resilience of the human spirit.Pub Date: April 10, 2018
ISBN: 978-1-63246-066-0
Page Count: 248
Publisher: Ig Publishing
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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